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Showing all Film news
The battle between creativity and commerce drives this accessible state-of-play examination of the contemporary art world.
Emily Dickinson revisioned in lesbian comedy by Madeleine Olnek.
Without an an ounce of amusement, this bleak and confronting Australian film commands the audience to watch — or walk out.
Auteur Claire Denis' first foray into English language cinema is a cool, calm sci-fi movie almost bereft of gadgets, with no aliens in sight.
While Captain Marvel storms in, a bunch of interesting smaller pictures are hanging on. Is this both ends against a dreary middle?
The collision between a true story and a structured script ahows us how stories shapes the world.
In his Stanley Hawes oration editor James Bradley is whimsical and pointed, with a wonderful story about his first experiences in film.
A modest hit from Oscar curiosity prevents the week from being a litany of indifference.
Melbourne Queer Film Festival introduces us to the extraordinary Silvana Imam.
Oscar afficionado Grace Boschetti faces the reality of the Oscars - flawed, doomed, trite, fascinating and horridly predictable all at the same time.
The Oscars 2019 are all over, but we put ourselves on the line as the obsession climaxed. How well did we do?
Screen Australia's Indigenous Dept and New Zealand Film Commission call for submissions to short film anthology collection.
QAGOMA, ACMI, Palace hook the cinema tragics while Undermined defends The Kimberley.
A new one-off party event in April solves the problem of not having another festival to premiere latest investment fund features.
Natalie Portman sings Sia's songs in this boldly stylised and intellectually ambitious film about pop music.
In the age of Netflix bloat, Neil Jordan's latest is a refreshing breath of fresh air, with just enough surprise mixed with cliche.
Real estate is said to be all about location, but maybe it is all about the art? Melbourne artist Rone gives life to an art deco past.
Bits & Blogs
Green Book, The Favourite, Stan and Ollie, What Men Want, Wandering Earth - all have their lessons at the world box office.
Rolling out the most intense, most venal, most undignified cultural prize in the English-speaking world. Also the most addictive, and most publicised.
Decay, rebirth or both? Alita has a healthy audience, a certain youthful innocence and the contradictory energy of James Cameron and Robert Rodriguez.
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