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The third and last stop in Going Down Swinging’s international project has resulted in an intricate, optimistic, and multilayered exhibition and anthology.
Kim Carpenter, the founder of beloved visual theatre company Theatre of Image, is closing his company after 30 years.
Industry fears for future of Australian writing, as national infrastructure is cut back again.
The inaugural production from Antipodes presents Dave Malloy’s exquisite and eclectic song cycle about life, death, ghosts and whiskey.
Jane Harrison’s play follows one Yorta Yorta family’s struggles against assimilation during the Menzies era.
An ambitious and logistically intricate work from the Hobart-based youth dance company.
Finalists announced for 2019 Lester Prize, Ned Kelly Awards shortlist, Inaugural First Nations Fellowship, plus latest news in prizes and awards.
A triptych of works by Kafka with dynamic physicality.
It's a good week to rewrite history, with 'Once Upon a Time in Hollywood' and 'Mission Mangal' scoring big crowds.
Opinions & Analysis
Executive Director Shaun Comerford says the company’s extraordinary growth is underpinned by one important adage: the art comes first.
Denmark’s Magnus Restofte says that you are not only asking people to part with their money – but their time today – and that is a tough sell for any sized organisation. He is coming to Sydney in November.
Croser will take on a 3-year contract as Chief Executive at SA Film Corp, at an exciting time for the state's screen industries.
One Fell Swoop’s circus production serves up exhilarating acrobatics and delicious contrasts.
While Australian film and television may be dominated by people of Anglo backgrounds, Jackie Bailey argues that we could be telling diaspora stories and finding bigger audiences.
Lovers of art, fashion, and design should head to Bendigo this month for the superb Balenciaga: Shaping Fashion.
Heperi Mita's directorial debut celebrates his mother's unsung legacy of bringing Indigenous stories to the screen.
From immersive theatre to burlesque, to a cabaret for children, the end of the world is trending at Melbourne Fringe.
A big, gaudy, rambunctious musical that offers a mixed bag of treats.
The Danger Ensemble’s provocative reinterpretation of The Scarlet Letter is a forceful critique of patriarchy.
A moving piece of Australian theatre that examines the brutality of forced labour.
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