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Buried in a surprise report, the government refuses to offer any more money to the ABC and SBS. And the sector is still under deregulation threat.
Opinions & Analysis
Artists across Australia are speaking up to defend our sector disappearing in the latest public service shake-up.
The easy ways of doing business with the China screen sector are disappearing, and producers need to use their brain, stay modest and build for the long term.
The Arts and Communications Squidge-up announced yesterday has caused consternation. Some possibilities are being discussed.
In a shock announcement from the Morrison Government, the Department of Arts and Communications will be incorporated into 'super department' including infrastructure, transport, and regional development.
Each year the Australian International Documentary Conference links promise with experience in new ways.
Andrew Wiseman, now at Film Victoria, explores the unique mindset behind documentary truth in a lovely speech.
Short, snackable, raw. Here are the takeaway bites on our plate this week.
Streaming contracts seem to be turning nasty, and composers are feeling the pressure internationally. Here is Caitlin Yeo, president of the Screen Composers' Guild.
The producers' rules about glamour: you need a clear schedule, time obsessives rule, and hunger increases anticipation. This year they all worked together.
Global academics and advocates have responded to persistent gender bias in recent funding announcements with dismay. A collective letter with more than 200 signatures captures their frustrations.
Minister Paul Fletcher keeps the mystery about the government's decisions on regulation, but sets out to prove he understands what the sector is about at SF 2019.
Deaner focused on moving the lobbying into new territory, to talk the talk of opportunistic globalism. It works.
Screenhub is on a mission at Screen Forever. What do we want to know about, from our unique industry perspective?
Designed to target gender-based violence and discrimination in the screen and games industries, the ScreenMATE Bystander Program runs in Melbourne in November.
Here’s a different way to look at the annual Screen Australia Drama Report, all in the name of optimism.
Which production companies scored the most nominations across the board in this year's competition. Think bragging rights.
The international streamers would not be pleased with a quota to operate here - but they have already surrendered in Europe.
Q: What makes a great cause-related documentary? A: a great documentary made by amazingly driven people, as demonstrated by the Documentary Australia Foundation and Film Victoria.
What does a working relationship with filmmakers from the Asia Pacific offer Australian filmmakers? APSA aims to open up the possibilities.
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