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Showing all Policy news
Big gestures are being made around the world to get the studios humming but what how is the rest of the world re-starting studios and productions. This may well be a triumph of hope over common sense.
Greening Australia's screen industry is the goal for our best-known Impact Producer, the most recent recipient of the Natalie Miller Fellowship.
In a crazy year, here are the latest announcements of funding from Screen Australia which producers will thread through the pandemic.
Banijay, once the cuddly friend of Screentime Australia, has absorbed Shine Endemol to emerge as a modern version of King Kong.
Imbued with the spirit of competition, one of our favourite larrikins sees the fight over revenue and regulation in TV from a different perspective.
Festivals, film openings and awards continue. This fortnight's eclectic roundup shows an industry pivoting painfully, but still alive and planning for the future.
Here's a few wrinkles in the latest cuts fight, from the prospects for the indy sector to the long term budget truth.
For the umpteenth time, the government stages another cliffhanger before giving community TV an extra year to do what it is told.
To really change the arts, we need to change arts leadership. Travis de Vries thinks we should make bigger systemic changes.
Opinions & Analysis
Arts sector to share in $250M COVID-19 relief package comprising new loans and grants.
Just as the ABC announces another brutal round of cuts, it releases an expansive five year plan. Something doesn't fit.
In a nation-first, the South Australian state government has extended the state's post-production, digital and visual effects (PDV) rebate to the development of videogames.
Mukbang, a short film which won the director's prize at the Sydney Film Festival, has produced a pungent debate about racism and cultural appropriation.
With insurers poisoning the well, industry sector advocates point out this problem is highly exaggerated.
Porchlight Films, a key Sydney-based company woven into the careers of so many screen people, has left the fray.
The world will not be transformed by this moment of Parliamentary approval, but at least the Senate seems to get the point, even if the PM doesn't.
One of the four regulatory approaches to television content is a new Australian Production Fund. Here is an argument in favour.
Australia looks good in the international marketplace but the competition will get fiercer and fiercer. We have to urgently solve one serious problem in the subsidy system.
Writer and director Jan Sardi, and production designer Robbie Perkins are significant in very different ways in lives well lived.
While the sector is frantic to start shooting, it is also relishing the chance to develop projects. How does that feel to Nerida Moore, Screen Australia’s Head of Development?
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