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Showing all Audience Development news
Hiring an arts consultant is not a burdensome expense; rather, it can liberate your organisation from the quagmire of a shifting cultural landscape, with fresh vision.
Supercell Festival of Contemporary Dance has moved its performance program outdoors and abolished ticket charges in order to reach audiences who don’t usually attend contemporary dance.
Description Victoria’s Will McRostie talks to ArtsHub about interpreting and presenting theatre and exhibitions for blind and low-vision audiences.
The Australia Council’s latest research shows arts experiences are a key driver for tourism, particularly to regional Australia.
The latest edition of Creative Victoria’s Audience Atlas provides unique insights into audiences across the state and gives arts organisations new ways of reaching them, thanks to insights from Morris Hargreaves McIntyre.
ArtsHub makes it easy to find those perfect creative gifts while supporting the many wonderful Australian arts organisations.
Advice from business leaders on asking governments for money, embedding culture in the political agenda, and getting the language right when you come to the table.
The Chinese-speaking market is perhaps the greatest untapped audience for the arts. Charmaine Wong of Think China Australia tells us how to reach this growing market.
Embracing failure is one of the hardest challenges we face as professionals. How we communicate about and use those failures is a lesson all arts organisations need to learn.
Data – what it is, and how to use it – was the buzzword du jour at this year’s PAC conference.
The multi-purpose nature of art centres means they can redefine the role of art in society.
Revolutionary change was the theme of Bryan Joseph Lee’s keynote at Performing Arts Connections Australia’s conference this week.
Artists with disability believe it is their right to be reviewed in the same way as abled artists; that the narrative should come from the quality of their work, not their disability.
Opinions & Analysis
The city’s performing arts centre is rethinking what it is to open up new artforms and spaces.
Revisiting Beethoven's masterpieces, new work from Mike Parr; networking for women and finding the value public art.
In some funding good news, QPAC's First Nations programming encourages the creation of more Indigenous productions and storytelling.
What can you do as a consumer to support a living wage for artists?
The Australian Performing Arts Market (APAM) this week announced a new partnership with Creative New Zealand.
Jane Clark of Mona is actually paid to write 'art wank' for a living. Here she talks about writing the micro-essays that guide you through Hobart's acclaimed museum.
Writing about the arts is changing at an exponential rate with constant disruption in the media landscape. Gina Fairley shares her insider knowledge on getting coverage in today's arts press.
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