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The script to Roma was a huge mystery. Now it is solved.
The sixth film in the Transformers franchise successfully swaps smash-and-crash action for a small-scale story with heart.
While the cinema exhibition sector takes a dive, China's SVOD iQiyi is building a monster company with very different ideas of regulation.
Rose-scented beer, a black comedy, boho chic and an exhibition song list are among the ways the NGA has given the Pre-Raphaelites a contemporary spin for the exhibition, Love & Desire.
Whether it’s feminism, crime, or feel-good stories, you won’t be bored over the summer break with this selection of podcasts.
Shortlist for Victorian Premier's Literary Awards, Dromkeen Medal for Literature announced, and quarter finalists in prestigious NZ violin competition, and more.
Respectable Auntie, straightforward John Edwards, the handy fists of Les Norton - the ABC takes a punt it won't be wowsered in 2019
Director Damien Ryan’s theatrical genius is on full display in this must-see rendition of Shakespeare’s timeless history cycle.
Louise Bezzina will commence at Brisbane Festival in May, following the presentation of her final Bleach* Festival in April 2019.
With the results of Annual Program Funding for 2019 still not announced, several NSW organisations are looking at winding up due to a lack of funds, and the Arts Minister is not responding to their pleas.
Butel will commence in the role in March, receiving a one-month handover with outgoing Artistic Director Geordie Brookman.
Patrić uses the short story form to perfection and is no less adept with the novella.
Understand the DNA of the story, know your audience and charm the author. Those were the key messages from this Screen Forever panel.
Escher x nendo will surprise, delight and challenge.
It’s the most wonderful time of the year!
The set design for The Gruffalo's Child is very simple but effective. There’s also lots of participation required from the kids including calling out, singing and dancing.
The government seems to offer more money to the sector. Look again, suckers.
In 2018 we see Sydney Dance Company’s 23 graduates in this thrilling program, which was an exciting mix of five short works.
War and zombies combine in this gory yet grounded horror effort from Australian director Julius Avery.
The end of the year can bring mixed feelings for many people working across the arts. Madeleine Dore delves into why, and asks creatives about their own experiences and how they deal with end of year blues, overwhelm and fatigue.
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