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Ladies in Black is comparable to Austen in its delicacy. Read it then see the film.
Summer seems a long way away but Flickerfest needs to get rolling right now. It's a classy festival, affiliated with the Oscars.
Townsville’s theatre company scores a hit with a western themed outdoor Shakespearean offering.
Fresh verve matched with exceptional virtuosity.
New Australia Council First Nations Manager, co-directorships for Aphids announced, new Exec Director for Co3, and other appointments.
Golng and coming, Amanda Duthie continues to shape Adelaide film production and culture.
Winner of the 2018 Miles Franklin Award, The Life to Come is an expansive story that explores the microaggressions that occur in contemporary life.
This latest exhibition at the Blue Mountains Cultural Centre was two years in the making and relies heavily on loans from the Daniel Solander Library, National Herbarium of NSW and contemporary artists.
In his keynote speech at the recent PAC Australia conference, Dr Richard Walley OAM urged arts leaders to step back and let First Peoples set the cultural agenda.
Games developers are ultra-competitive, nerdy, anal, introverted - NOT! Meet two women in the games industry who will make you glad to be alive.
The advent of second wave feminism resulted in a long-overdue re-appreciation of the works of Vida Lahey, Margaret Preston, Grace Cossington Smith and others, and their place in the art canon.
Chapter heads are a vital part of the ADG infrastructure. Here's two new volunteers with the headspace to make a difference.
Here's a great collection of interview clips with great directors, from Gillian Armstrong to Ridley Scott. It's a beautiful career.
HOTA announces photography awards finalists, recipients of Freedman Foundation Scholarship winners announced and finalists announced in $60,000 Melbourne Prize for Literature.
Controversial French aristocrat Marquis De Sade’s collection of erotic illustrations are given new life by German indie publisher Goliath Books.
These beautiful poems are proof that Clive James has made good use of the extra time he has been allotted.
This well acted and directed production puts forged rights on stage in an emotional and warm reminder that the parallel Australian experience has creep rather than explosion and that vigilance is required.
Small in scale but large in imagination, these 40 forms provide an overview of the best of contemporary sculptural practice from every state and territory in Australia contained in a single room.
The family audience is not around the cinemas at the moment. Instead, the punters want fear at the end of a dark season.
New circus, a remounted theatre work, and a musical comedy about a talking tree: three works hint at the breadth of artistic activity present at this year’s Melbourne Fringe Festival.
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