MELBOURNE FRINGE: Jonno Katz tells the story of two brothers through dance, mime, and onstage transformation in this ambitious one man show.
Solo performer Jonno Katz tells the story of two brothers through dance, mime, and onstage transformation with his one man show, The Accident
. Sebastian and Roy are brothers, without parents and relying only on each other. Sebastian, the younger brother, is a street statue who is creatively stalling. He turns to Roy, who he worships, to fund a new conceptual installation: a shit machine, a working version of the human digestive system. Roy, who doesn’t see the art but sees dollar signs from commodifying the work, agrees, and proceeds to destroy the integrity of the project by selling off ideas and cutting corners. Meanwhile his girlfriend Emily is distraught at his less than elegant marriage proposal and Sebastian, in an attempt to be the good guy in the situation, makes it so much worse.
Katz is a consummate performer. His use of dance, clowning and physical theatre to dress the story is bold and expressive, often saying more in a few movements than the script itself. His use of a recurring motif – miming an old man with a walker moving towards a light – is a welcome pause in the show, although sometimes this over-enthusiasm for the physical makes the production more elaborate than it needs to be.
Reliance on pre-recorded music is always difficult, especially in a new space, and some of the choices seemed to drown out the meaning of Katz’s movement, or literally drown out some of the spoken word sections. It has obviously been sound-mixed to fill the (at first overwhelmingly) large space, but it is soon demonstrated why such a big venue has been chosen. Katz fills it admirably, but, dressed as he is – and with justification – in a white shirt and black pants, there is always the risk that he is about to plunge into the space and disappear.
The story that is told is interesting, if at times confusing, and juggling the demands of the script as well as the intense physical demands of the piece is a challenge that Katz rises to, but doesn’t always pull off. The portrayal of Emily is frustrating due to her often clichéd construction, which paints her as stupid, shallow and vain. There is more of an emphasis on what she says than physically portraying her relationship to the other characters, whereas a lot was revealed about Roy and Sebastian’s relationship by simply showing Roy stomping along in the park with Sebastian pattering after him.
If the execution of the story of The Accident had been pared down, and had the execution of the piece been a little less ambitious, this would have made for truly enjoyable theatre. As it is, it’s a little overwrought and overdone, but with great potential.
Rating: Three stars
Devised and Performed by Jonno Katz
Directed and Choreographed by Irene Sposetti
The Space Dance and Arts Centre, Prahran
September 22 – October 8
Melbourne Fringe Festival
September 21 – October 9
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