Brisbane-based animation company Like a Photon delivers another crowd-pleaser, with Deborah Mailman’s lead voice a real highlight, says Diversity in Australian Media reviewer Naavikaran.
Combat Wombat. Image courtesy Like a Photon.
Combat Wombat is a fresh action-packed family animation portraying the journey of reluctant wombat turned ‘Wonder Woman’, Maggie Diggins, and her trusted Sugar-Glider sidekick, Sweetie. Produced in Brisbane by local animation company Like A Photon Creative, the film is an instalment in the exciting and ecologically rich universe of ‘The Tales Of Sanctuary City’ franchise. Screening at the Brisbane International Film Festival before its general release, the film takes its audience on a wild and unconventionally funny adventure without skipping a beat.
Maggie Diggins (voiced by the wonderful Deborah Mailman) loses her husband Bradley Burrows (George Pullar) in a mining accident. After the local law agency, the Sanctuary City Pawlice Department, gives up on looking for her missing husband, Maggie agrees to hesitantly work with Sweetie, a super-hero obsessed, young sugar glider (voiced by Ed Oxenbould) and turns into a superhero so she can find her beloved.
As the plot progresses, the film smartly intertwines several subplots and arcs to create a dynamic experience for its audience. Using humour and music, the narrative is always entertaining, while vividly delving into wholesome themes that include the appreciating biodiversity and the importance of kindness, compassion, community, and open communication.
My personal favourite aspect of Combat Wombat was its portrayal of the lead character. Although animated, Maggie Diggins is a middle-aged female who normalises the existence of a non-skinny, non-muscled character and doesn’t bother with changing her body to fit societal expectations of what a superhero should look like.
Knowing it was Deborah Mailman voicing Maggie was exciting and heart-warming, underlining the fact that that it’s rare for a lead animated character to be voiced by a person colour, and even more inspiring when that person is a Blak woman. Maggie Diggins has a significantly different accent to the rest of the cast, which only serves to normalise Indigenous voices on the big screen.
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Another successful element of Combat Wombat is the way it addresses death, grief and loss. Without spoilers, it deals with those themes with maturity, allowing viewers of different emotional capacities to cope.
The producers, Nadine Bates and Kristen Souvlis, and director Richard Cusso, have previously directed another of Tales of the Sanctuary City films, The Wishmas Tree, which similarly featured an Indigenous lead in Miranda Tapsell. Here they have woven a powerful story of female empowerment, with writer Matthew James Kinmonth daring to address a wide range of themes.
Although animated, Maggie Diggins is a middle-aged female who normalises the existence of a non-skinny, non-muscled character who doesn’t bother with changing her body to fit societal expectations of what a superhero should look like.
Combat Wombat’s rich use of puns and humour occurs without being too cheesy or misplaced, and often aids the progress of the plot. The film also highlights the roles of two other secondary characters, played by Judith Lucy and Frank Woodley, without making the fore-shadowing too overbearing.
While Combat Wombat is definitely packaged as a work for children, it works to entertain and educate viewers of all ages. I’m thoroughly excited about what the producers and artists involved might have in store for future titles in the series, as this one paves a much-needed path for diverse voices to be a part of mainstream entertainment.
Australia, 2020, 85 mins
Director: Richard Cusso
Writer: Matthew James Kinmonth
Producers: Kristen Souvlis, Nadine Bates
Australian Distributor: Universal
International Distributor: Odin's Eye Animation
Premiered at Brisbane International Film Festival: October 1-11, 2020
General Release: 15 October 2020 and then on PVOD from late October.
This review has been commissioned in partnership with Diversity in Australian Media.