Funding Fiascos and Bungling Bureaucracies Part 1 Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: Shakespeare in Love, Arts Centre Melbourne A period rom-com that celebrates the mess and magic of theatre. Review: A Room of One’s Own by Virginia Woolf, fortyfivedownstairs (VIC) Peta Hanrahan’s adaptation showcases Woolf’s insight and wit but doesn’t move the conversation forward. How intimacy coordinators make scenes sexy but safe ‘Intimacy can be anything from holding hands, looking into someone’s eyes, sex, dancing, masturbation or nudity.’ Miriama McDowell tells us about her new role in the arts. On the Move: Latest appointments and departures Milk Crate Theatre appoints new CEO, new blood for The Wheeler Centre Board, MSO gains new staff, and Head of Dance appointed at NAISDA Dance College. (Premium content) Premium content Scott O'Hara Wednesday 3 March, 2010 Recently two decisions made by two different NSW Government Departments have led to the impending closure of two organisations which I have been proud to be involved with. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Hav Member login Email address Password Forgot password? About the author Scott O’Hara is the recently appointed CEO of Accessible Arts. He has 25 years’ experience in Arts Management including roles in all three levels of Government, the education and community cultural development sectors, and was the Chair of Arts Training NSW for five years. He previously wrote the regular opinion column ‘The C-Word’ on the Community Arts Sector for Arts Hub. The opinions and views expressed in this article are not necessarily those of Accessible Arts.