Funding Fiascos and Bungling Bureaucracies Part 1 Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles On the move: the latest appointments and resignations A change of dancers for Sydney Dance Company, new Director at Adelaide Film Festival, and more. Review: Turandot, Opera Australia An extravagant production of Puccini’s posthumous and deeply flawed masterpiece. From edifice to ecology: how performing arts centres continue to evolve Australia's performing arts centres are increasingly focused on sector development and supporting the country's independent artists and the small to medium sector. The Whiteley phenomenon – why a painter has impacted theatre, opera and film Brett Whiteley is no longer exclusive to the visual arts, but has become part of Australian mythology. ArtsHub speaks with those involved in creating this landscape of memory, to ask: why now? (Premium content) Premium content Scott O'Hara Wednesday 3 March, 2010 Recently two decisions made by two different NSW Government Departments have led to the impending closure of two organisations which I have been proud to be involved with. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Hav Member login Email address Password Forgot password? About the author Scott O’Hara is the recently appointed CEO of Accessible Arts. He has 25 years’ experience in Arts Management including roles in all three levels of Government, the education and community cultural development sectors, and was the Chair of Arts Training NSW for five years. He previously wrote the regular opinion column ‘The C-Word’ on the Community Arts Sector for Arts Hub. The opinions and views expressed in this article are not necessarily those of Accessible Arts.