How to put on an Edinburgh Fringe Show Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Solid studio time the secret to artists' success Situated in the heritage precinct of the old Darlinghurst gaol site, the National Art School offers a unique study experience for students to hone their skills through a studio-based practice. From bark painting to video: innovation goes bush Embedded in a history of self determination and activism, Yolŋu artists are rethinking traditional storytelling with a 21st century inflection, from recycling materials to immersive video, keeping culture current. Four key planning tips to make your festival a success in 2020 ArtsHub speaks to Saltwater Freshwater Festival’s General Manager, Chris Spencer, to find out what makes a festival successful. Seven shows not to miss at Junction Arts Festival 2019 Launceston’s annual arts festival is the perfect blend of community event and high culture. Here are our recommended highlights. (Premium content) Premium content Samantha Wilson Tuesday 16 August, 2011 Co-founder of SNAFU Theatre, Samantha Wilson takes a moment out of her Edinburgh Fringe production schedule to reflect on what it takes to get your fringe show OS. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Fir Member login Email address Password Forgot password? About the author Samantha Wilson is a freelance writer and poet. She also co-founded SNAFU Theatre, and has directed all eight of its productions, including Month of Sundays (2007), The Beginning of the End (2008), and both the Melbourne and Edinburgh Fringe seasons of Murder at Warrabah House (2011).