Biennale boycott backlash: vicious ingratitude or valid critique?

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Ben Eltham

Does money have a taint? That’s the question many in the arts community are asking as the Biennale splits with Transfield.

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Eglé Budvytytė, Choreography for the Running Male, 2012, performance, 30 mins. Courtesy the artist. Photograph: Ieva Budzeikaite. Commissioned by Contemporary Art Centre, Vilnius and part of this year's Biennale of Sydney.

About the author

Ben Eltham is ArtsHub's industry columnist.