MIPDoc International Copro summit in handy point form Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Don’t forget the writer: an interview with screenwriter Giula Sandler She remembers a time before TV was cool, but persistence built this writer's career and it's taking her far. Small Screen Highlights: TV, Streaming and Podcasts Ten brings back ensemble melodrama with Five Bedrooms, satire is not dead on the ABC, plus a beautiful short film and more. TV Review: Extremely Wicked, Shockingly Evil and Vile Netflix's Ted Bundy film conveys the superficial charm of the serial killer, but doesn't go much deeper. Three Glimpses of Grotesque TV Adrian Martin finds guilty pleasure and strange connections between three new shows: Now Apocalypse, The Act and Fosse/Verdon (Premium content) Premium content ScreenHub Friday 3 May, 2019 Documentary co-productions are the key to sheer magnificence on an international level. Peter Hamilton tracks their changing role. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today The Siege of Mecca, now available on Australian Netflix, is a Sunny Side of the Doc / DocumentaryBusiness.com Case Study. Image: Henrik Sauer, Dirk K. van den Berg, and Ahmad Fouad in The Siege of Mecca (2018). Member login Email address Password Forgot password? About the author ScreenHub is the online home for emerging and experienced Australian screen professionals.