Proposal to get Australian musicals kicking up their heels Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Why creative partnerships are important to an organisation’s growth (locked) ArtsHub speaks with some of the winners of this year’s Creative Partnership Awards about the value of philanthropy, and the challenges that private giving still faces in Australia. Artstate Bathurst returns real talk and real outcomes to regional NSW This festival redresses the balance in where the state’s cultural conversations are held. Fifield announces $100,000 to grow cultural links with Singapore (locked) Minister Fifield’s office has announced over $100,000 to support growing cultural links with Singapore, across four key projects. Is confirmation bias holding your organisation back? (locked) Simply, perception is deception. ArtsHub takes a look at how to get past the hurdle of confirmation bias and arm yourself with better data recovery skills. (Premium content) Premium content John Senczuk Friday 23 January, 2015 First runs in Perth would ensure home grown musicals are market-ready before they hit the costs and critics of Melbourne or Sydney. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Member login Email address Password Forgot password? About the author John Senczuk is a NIDA graduate, stage designer and theatre polymath whose career spans over thirty years in music theatre, dance and drama. He has worked concurrently as an academic, and spent fifteen years at the Faculty of Creative Arts, University of Wollongong creating and teaching courses in scenography and dramaturgy before positions at Toi Whakaari, New Zealand Drama School, and at the West Australian Academy of Performing Arts as head of design and program director in production, design and arts management.