For the documentary community, The Australian Dream is more than a fine picture suffused with controlled rage from Stan Grant. It demonstrates how images, empathy and clear rhetoric can create a national conversation.
The Australian International Documentary Conference (AIDC) went into an awards ceremony for the first time under the strangest possible circumstances. In the black shoebox cave of an Australian Centre for the Moving Image Cinema (ACMI), clumps of old friends gathered together to watch a bunch of awards given out to documentary makers who received their awards with a pre-recorded announcement.
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