Complaints as Vivid victim of own success Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Just how white is Australian publishing? The First Nations and People of Colour Writers’ Count is raising money to investigate the whiteness of Australian publishing. UK collections agency head hunted down, dosh invisible Private company handles industry collections function. CEO goes quiet. Money stops. What could be up? Review: Constellations, Missing Persons (VIC) A close examination of love and quantum mechanics that will have you pondering the delicate nature of human relationships. Review: Come From Away, Comedy Theatre (VIC) Sit back, open your heart, and go on an incredible journey. (Premium content) Premium content Deborah Stone Thursday 13 June, 2013 Crowd control failures marred the spectacular success of Vivid Sydney. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Crowd control failures marred the spectacular success of Vivid Sydney, with New Year's Eve level policing needed. Member login Email address Password Forgot password? About the author Deborah Stone is Editor of ArtsHub.