Warehouse galleries succumb to changing times

After 15-years, an Australian arts institution has fallen to gentrification. The cluster of galleries is being forced to rethink the warehouse complex model.
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Inside 2 Danks Street gallery complex in Sydney suburb of Waterloo; Photo ArtsHub

An article in 2013 reported as news: ‘The warehouse era begins in the Los Angeles Art World’. It was a curious headline given that some twenty years earlier American art collector Tom Patchett financed the development of Bergamot Station in Santa Monica in 1994, reputed to be the first complex of large-scale art galleries in a semi-industrial area. It housed 20 galleries that ringed its own parking lot.

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Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina