All at sea: the cannibalisation of the Australian arts industry

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Ben Brooker

The arts in Australia are at risk of being cast adrift from culture and the diverse social and artistic values and visions that comprise it.

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Le Radeau de la Méduse (detail), 1818–19, Théodore Géricault.

About the author

Ben is an Adelaide-based writer, editor, critic, essayist, bookseller, and playwright. His work has been featured by Overland, Australian Book Review, RealTime, The Lifted Brow, Daily Review, Verity La, Witness, ArtsHub, and others. In 2016-17 Ben was an inaugural Sydney Review of Books Emerging Critics Fellow and in 2018-19 was writer-in-residence at The Mill.