Drama Report 2017 - looking under the bonnet Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Humanising the screen industry with statistics and a plan Raising children in the screen sector is hard - but there are useful initiatives that see the industry in a different way. With added SAFC programs. The Scribe - Graham Freudenberg, shaper of power, poet of ambition (locked) Graham Freudenberg holds high the flag for decent public discourse as we hold our noses in political sludge. Defining the Australian story - hunting a dream within a dream (locked) Globally focused director Cate Shortland takes serious issue with our favourite fuzzy idea. No more hiding the babies (locked) A new pilot program aims to help women in the screen industry whose careers have been impacted by parenting and caring responsibilities. (Premium content) Premium content David Tiley Tuesday 31 October, 2017 The 2016-17 drama report is all about consistency, but the detail reveals some subtly significant changes. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Oh look, another Drama Report. Image: Meerkat in Suricat. Member login Email address Password Forgot password? About the author David Tiley is the editor of Screen Hub.