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ArtsHub partners with REMIX Summits to bring you a podcast on the rise of creative co-working spaces in Australia.
The new grants program aims to support local women in comedy by covering the practical costs of mounting their shows at MICF. An initiative designed to facilitate safer travel has also been announced.
Fringe World attracts new international director, new CEO/AD for Bleach* Festival, new appointments at Circus Oz, Yirra Yaakin's new AD, and more.
After 17 years at North Melbourne Town Hall, the Fringe is taking over the license of the Trades Hall bar. The venue will become the new Festival Hub in September, with programming running all year round.
The festival has cancelled its 2019 iteration, pushing back its 30th anniversary until next year in order to develop new strategies around sustainability and longevity.
Presented by the Independent Dance Alliance, March Dance will feature a range of public and industry programs.
Adelaide has been selected as the host city of the 2020 Fringe World Congress, which will be held to coincide with Adelaide Fringe’s 60th anniversary.
Start the year by filling up your diary – ArtsHub gives you the quintessential Australian arts festival and events calendar for 2019.
Louise Bezzina will commence at Brisbane Festival in May, following the presentation of her final Bleach* Festival in April 2019.
The initiative, presented in partnership with Accessible Arts, aims to increase the number of Deaf artists and artists with disability creating work for Australian festivals.
Sydney Fringe Festival has launched An Anthology of Space 2015-2018, a report that proposes solutions to overcome the onerous red tape in activating city spaces
The Tasmanian Government has announced a five year funding commitment through Events Tasmania to the Australian Musical Theatre Festival, to be held in Launceston in 2019.
International arts tourism has grown at a higher rate than overall international tourism over the last five years, according to a new report.
Social media attack or real concerns? ArtsHub examines this week’s news of BOAA’s alleged financial mismanagement, which has resulted in delayed artist payments.
Essentially a lobbying body, WA’s Chamber of Arts and Culture sits between and across government, business, philanthropy and arts organisations for effective policy change.
As her fourth and final festival nears its end, Wendy Martin reflects frankly on her triumphs and challenges in the role.
Pairing with local businesses with an established customer base can help transform unengaged audiences into cabaret fans.
In the wake of January’s devastating bushfires, Ten Days on the Island offers Tasmanians a chance to come together and celebrate our shared humanity.
Love all things writing related? Here’s a list to transfer straight into your calendar.
From a contemporary response to Frankenstein, to an aural exploration of the body decaying after death, artists across the country are exploring creative responses to mortality.
Minister Harwin outlines his party's wins for the arts during their time in government, and presents his plan for the future if re-elected as NSW Arts Minister.
Approached as a considered, curated component rather than as hastily-considered add-ons, Perth Festival offers a fresh model for the visual arts' contribution to the festival market.
Recent events may have left some artists questioning the validity of the Fringe model. Simon Abrahams, Creative Director/CEO of Melbourne Fringe, explains why Fringe Festivals are still an important catalyst for creativity and cultural democracy.
We explore the challenges facing Tasmania’s creative industries in the lead-up to the state election on Saturday 3 March.
A recent ArtsHub feature called Fringe Festivals 'the arts world's version of a pyramid marketing scheme'. Here, a Fringe Festival Director responds to that criticism.
Festival audiences become part of a collective experience giving individuals a sense of community all humans need.
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After epic weekends in the North West and the North East, the festival's final weekend reaches Hobart and the South.
The second weekend of Ten Days on the Island featured everything from contemporary performance in a black box theatre to a chamber orchestra playing in a vineyard.
Tasmania’s biennial Ten Days on the Island is the only ‘whole of state’ arts and cultural festival in Australia; Kath Melbourne immerses herself in the program over three successive weekends.
Ever felt guilty about an expensive, even extravagant designer purchase? Now imagine how guilty you’d feel if the product you bought listed human fat as one of its ingredients.
The ramshackle rooms of a former home for elderly and destitute men become the site of a new dance work by STRUT in collaboration with Punchdrunk's Maxine Doyle and collaborators.
The 2018 festival does not shy away from polarising topics that provide an impetus to discuss tensions between the developed and the developing world.
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