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Showing all Professional Development education news in Career Advice
If you’re a talented problem solver, passionate about the music industry and keen to help artists go far, then a career in artist management may be for you.
New students at our elite training institutions often have to undo the damage of bad amateur training before they can progress to professional level.
If you're organised, a good listener, good humoured and comfortable sitting with fear, being a producer might be the job for you, according to Perth Festival's Anna Kosky.
New interim directors for Montsalvat, a new CEO for No Strings Attached Theatre of Disability, board for new Arts Capital announced, and other announcements.
As 2020 closes, we look back at this article by Madeleine Dore who argues that courage more than confidence is what's needed for success in the arts. Perhaps now more than ever as we emerge from the pandemic?
For ArtsHub's 20th anniversary, we look back and ask: are the arts facing the same degree of bullying, or have we become more vocal in standing up for our rights in the workplace as artists?
With an obscure title – and one totally befitting to the unique Mona brand – Elizabeth Pearce tells us about her role in creating the text that surround all things Mona, while staying in sync with David Walsh's mantra for no bullshit.
How do you know if it's time to call it quits or to stay on? A checklist to read before dealing with your creative career challenges.
Being an ARI Director is extremely collaborative, says Rebecca Gallo, an artist and founding member of Pari, in Sydney's West. Her view is that ARIs are moving away from the pay-to-play model, and are more accountable to communities.
If you have an ear for detail, an active imagination and technical know-how, working as a sound designer and composer might be the job for you, says Daniel Nixon.
At 4A, Mikala Tai fought for the legitimacy of contemporary Asian art in the Australian context. Her success is a message of hope in our journey to diversity and global acceptance.
While Australia's international borders remain closed, it is a good time to reflect on the merits of career-based travel for this International Artist Day.
After 10 years in the role, and more than 30 advocating for the arts, Michael Rolfe is stepping down as CEO Museums & Galleries of NSW.
Why is it such a long, complicated process to admit to yourself that you’re an artist? Verity Johnson investigates how to accept and embrace your creative instincts.
Polyglot Theatre’s Executive Director steps down, Melbourne Recital Centre names new Head of Development, and more.
If you have a keen eye for colour, materiality and space, then being an exhibition designer might be the job for you. The National Gallery of Australia's Jing-Ling Chua talks about her career.
Whatever your passion, it pays to be both a creative practitioner and a practical businessperson.
Highly skilled and experienced people in the screen industry still feel reticent to promote themselves. Publicist, strategist and talent manager Karen Eck offers good advice.
With many in the sector working in administrative roles, we’ve asked arts leaders from Darwin to Hobart and Perth to Sydney to offer advice for those at the beginning of their careers.
Facilitation and strategy, nurturing artists' ideas, and examining challenges at a macro and micro level simultaneously: arts administrators are the unsung heroes of the Australian arts sector.
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