Tips on managing negative press Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles On the move: the latest appointments and resignations New director of MAAS, new Associate Producers at ILBIJERRI, sudden dismissal of YIRRAMBOI Creative Director, and more. How stage and screen professionals can help reduce suicides in Australia Evidence suggests that the dramatic portrayal of suicide can impact on vulnerable audiences, including contributing to increases in copy-cat incidents and a reduction in help-seeking behaviour. What it really takes to juggle an arts organisation with family life The director of Wellington's LitCrawl, Claire Mabey, reflects on what a family-friendly arts organisation might look like. The importance of 'selves-care' on the road Fresh from a gruelling national tour of Prize Fighter, theatre-maker and physiotherapist Margi Brown Ash discusses the importance of ‘selves-care’ – collective self-care among an ensemble. (Premium content) Premium content Gina Fairley Sunday 4 November, 2018 Is all press good? Perhaps not, but you can turn negative press around to your advantage with a clear head and a few simple tips. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Image shutterstock.com Member login Email address Password Forgot password? About the author Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years. She is based in Mittagong, regional NSW, and you can follow her on Twitter @ginafairley and Instagram at fairleygina.