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02 Sep 2015
Profoundly introspective with a core affection for the music of another era, The Aliens is both discomforting and refreshing.
A complex story with an excellent character dynamic.
Dancenorth perform all too rarely in Brisbane, so their current touring production was keenly anticipated.
Nice result for Holding the Man as the Last Cab keeps driving round town and Fury Road gets kissed by arthouse mob.
When you visit a museum or gallery, there is no escaping the gift shop. But individual artists can also take advantage of merchandising.
Memoirs, essays and fiction in this collection consider diaspora and migrant experience in a newly-defined Asia.
Based on an earlier work choreographed on the dancers of Bangarra, Page’s feature film will have its world premiere in Toronto next week.
Every year thousands of shows open at Fringe festivals. A few go on to mainstage productions and launch lifelong careers.
Even as animals made the nation laugh out loud, well beating both The Hotplate and the Spelling Bee, Nine and Seven were still neck and neck for the total audience share.
The Australian International Documentary Conference has a new (locally sourced) management team for the 2016 event.
Charting the evolution of hiphop fashion, this light, breezy effort entertains while feeling like an off-the-rack compilation.
An irreverent, hilarious and piercing critique of trends in the Australian arts industry.
Five Aboriginal and Torres Strait Islander arts professionals have been announced as the 2015 participants of British Council’s ACCELERATE.
Nine in ten Australians value Indigenous art, but only one-quarter engage with it. A new report inspects the barriers and strategies to build audiences for Aboriginal and Torres Strait Islander arts.
01 Sep 2015
David Berthold’s first festival as Artistic Director has much to offer: here are our anticipated highlights.
The Senate Inquiry into Budget cuts to Australia Council has heard fears that vulnerable communities will lose out most .
Five new Australian works will be presented by Griffin Theatre in 2016, a testament to the flexibility of smaller companies.
A diluted theme and over design misses the opportunity of a more serious conversation about Australian social mores.
Matthew Lutton’s first season as Malthouse AD encourages audiences to rethink the familiar.
Britni Leslie barely breaks a sweat in this finely calibrated cabaret
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