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27 Aug 2015
Photographers often take thousands of images in a shoot. How do you find the singe one to become your show's poster child?
Both the State Government and Tasmania’s artists predict devastation for the State’s cultural centre under the Budget cuts.
The fact that Australia does not have a National Arts Week is a glaring absence in our national calendar.
Opinions & Analysis
Work is often referred to as something to battle with, something to be overcome or tamed or endured. But considering we spend a huge amount of our time working, surely it’s a better idea to find ways to embrace work?
26 Aug 2015
The big kahuna AACTA/AFI Awards have a new sponsorship deal, and the full list of features in competition.
SPA produces a pair of summary clips to set the agenda for current discussions about the future.
A pared-down reinterpretation of the Greek classic delivers contemporary punch with great skill.
The atmosphere in the theatre was electric.
The arts are seeing a return to the bartering economy where cash is replaced by deals focused on time, goods and services.
This work may not be overly sophisticated but it wears it's heart on it's sleeve.
One feature and two documentaries fly the NZ flag in the Canadian autumn.
The graduate employment market is tough. Can your choice of uni affect your outcomes?
Based on this performance the SZCSOM is ‘riding high’ in its 50th anniversary year.
The war on culture by Islamic State demonstrates that the study of history, art and antiquity is a powerful and high-risk professi
The auction suffered from a global dip in market confidence this week, though top end works resisted the trend.
A lively, colourful and at times visually-searing production.
When developing countries need clean water, can we justify arts philanthropy? Philosopher Peter Singer, artistic director Robyn Archer and arts manager Pippa Dickson argue the toss.
Electric combines the handmade with the digital to reimagine functional objects.
After just one edition managed by Art Fairs Australia, Melbourne Art Foundation has reclaimed commercial delivery of the Melbourne Art Fair.
How does a manager balance the individualism needed for elite performance with the collectivism of an ensemble? A little help from workplace management helps.
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