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Development of Rockschool exams in Australia and NZ for AMEB
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Heide Museum of Modern Art is only 20 minutes from Melbourne's CBD and boasts a unique combination of art, architecture and landscape.
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A spirited monologue, full of passion, wit and rage.
Simonetta Cattaneo Vespucci, was the ‘it’ girl of the Renaissance era.
"O wad some ow’r giftie gie us to see oursels as ithers see us!" – Robbie Burns, 1786
With film-to-musical adaptations the flavour of the day, the Hayes Theatre Co has provided another example of how it can be done.
The mystery unfolds slowly, but with never a dull moment.
A visual journey into the life and legacy of one of Australia’s most celebrated artists.
Lounge room theatre is gaining in popularity – this show will make you understand why.
Spectacular theatrical adaption of a much-loved Disney film will delight audiences young and young at heart.
Drinking coffee at work has a range of benefits, plus four more.
The latest and maybe the best reinvention of the old Chinese Monkey legend from The Journey to the West comes from Australia, with New Zealand and Netflix in close attendance.
One year since the Victorian Government announced an extra $115 million in cultural investment, what has the program achieved, and what are its next targets?
Richard Moore, former Head of Screen Culture at Screen Queensland, explores the collapse of a broad-based international film festival in Brisbane.
Opinions & Analysis
Monetising your art might kill your creativity.
We speak with the curators of Australia’s leading art museums about which Sidney Nolan paintings are most loved, and why.
Bits & Blogs
Create NSW is hitting the road, pulling up a chair and sharing a cuppa with artists and arts workers, to get to the heart of matters that impact regional arts practice.
In her film Cameraperson, Kirsten Johnson confronts the sequences that challenge her understanding of her craft, her morality and the human condition.
It’s your last chance for this weekend’s INTRO TO VR in Sydney, WRITING FOR TV (10 weeks, online) starting next week, and INTERNATIONAL MARKET STRATEGY in Melbourne next Thursday, presented by Screen Producers Australia (SPA) in conjunction with AFTRS.
Arts organisations are ‘snow blind’ with demographic data that fails to explain what really makes audiences buy tickets. There is a smarter alternative.
Dark MOFO is facing controversy with a ritualistic performance by Hermann Nitsch but confronting blood is precisely the point.
After more than three decades, Gertrude Contemporary is set to leave its iconic Fitzroy location.
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