Australian arts jobs, news, industry commentary, career advice, reviews & data

What's On

True lies and fake drama

(Premium content) Premium content
Andrew Fuhrmann

The scandal that erupted after performer Mike Daisey was found to be lying in his protest work The Agony and Ecstasy of Steve Jobs raised important questions about authenticity in theatre.

This content is only available to members of ArtsHub

Subscribe Now for instant access!

A subscription to ArtsHub will enable you to:
  • Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly
  • Learn how and where to get grants, with the most extensive grant finder in the arts industry
  • Post, manage and monitor your social media campaigns using our extensive social media toolkit
  • Promote yourself and your career to the largest arts community in Australia by uploading your professional profile
  • Access thousands of subscriber-only features, articles and guides
  • Take advantage of exclusive ticket giveaways, offers and competitions
  • Save hundreds of Dollars every year on cinema tickets, magazines, books, travel, shopping and more with the Member Rewards scheme

... and much, much more.

Subscribe Now and be part of the Australian arts community

About the author

Andrew Fuhrmann is a freelance writer. Currently, he is performing arts editor with Time Out Melbourne, theatre reviewer for ABR and an ArtsHub contributor. His tweets may be perused @arfuhrmann.