This is the future of Australian opera Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Get your work in front of a large regional audience Here’s an art prize with multiple categories for young and emerging artists. Entries now open. Australian films overseas in 2017 - not as bad as you think Only one man keeps enough data to tell the real truth about overseas Australian releases each year. Antony I. Ginnane has the figures for 2017. Making classical music accessible without dumbing it down Instead of playing film scores, should the classical music sector focus on more experiential and experimental works in order to reach new audiences? Harrassment and Craig McLachlan - a lawyer speaks Eminent and detached Charles Darwin University legal expert Ken Parish reflects on the Craig McLachlan/Dr Blake industry dilemma. (Premium content) Premium content Andrew Fuhrmann Thursday 3 May, 2012 As the debate about the future of opera in Australia heats up, financially independent opera companies are gaining loyal audiences by refusing to "fit in". This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder in the Arts industry ... and much, much more. Subscribe Now and join the Australian arts community today Member login Email address Password Forgot password? About the author Andrew Fuhrmann is a freelance writer. Currently, he is performing arts editor with Time Out Melbourne, theatre reviewer for ABR and an ArtsHub contributor. His tweets may be perused @arfuhrmann.