This is the future of Australian opera Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Box Office 24 April 2017 - Berlin Syndrome, Dance Academy and some missing audiences Carnage in the cinemas and not just on the screen. Hopes have been dashed and dreams are bleeding out in the Autumn rain. National Ratings week beginning Sunday 23 April 2017 - its Logies Night! Seven clobbered the Logies by 550,000 early in the night but Nine still had the last laugh. Ode to Man A spirited monologue, full of passion, wit and rage. The Most Beautiful Woman In Florence by Alyssa Palombo Simonetta Cattaneo Vespucci, was the ‘it’ girl of the Renaissance era. (Premium content) Premium content Andrew Fuhrmann Thursday 3 May, 2012 As the debate about the future of opera in Australia heats up, financially independent opera companies are gaining loyal audiences by refusing to "fit in". This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Learn how and where to get grants, with the most extensive grant finder in the arts industry Post, manage and monitor your social media campaigns using our extensive social media toolkit Promote yourself and your career to the largest arts community in Australia by uploading your professional profile Access thousands of subscriber-only features, articles and guides Take advantage of exclusive ticket giveaways, offers and competitions Save hundreds of Dollars every year on cinema tickets, magazines, books, travel, shopping and more with the Member Rewards scheme ... and much, much more. Subscribe Now and be part of the Australian arts community Member login Email address Password Forgot password? About the author Andrew Fuhrmann is a freelance writer. Currently, he is performing arts editor with Time Out Melbourne, theatre reviewer for ABR and an ArtsHub contributor. His tweets may be perused @arfuhrmann.