Why don't our audiences look like a train stop? Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Changing the mindset of the cultural cringe (Premium locked content) AsiaLink's founding director, Alison Carroll, reflects on the challenges of seeing our own culture as equal to those of Europe and America. Regions are beyond sticky – they're hotspots (Premium locked content) From resilience indicators to regional hotspots, research underpinned successes at the recent Creative Regions Summit in Canberra. Don’t think outside the box; smash it to pieces REMIX Sydney lifts the lid on the trends that are changing the face of culture, and invites you to be part of the think tank. Salary Survey reveals hard facts of our fragile sector (Premium locked content) The latest edition of Theatre Network Australia’s biennial salary survey shows complex differences in our sector's artistic and administration labour forces. (Premium content) Premium content Fotis Kapetopoulos Friday 9 May, 2014 We will know we are really tapping culturally diverse audiences when the range of faces truly reflects the population. This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder in the Arts industry ... and much, much more. Subscribe Now and join the Australian arts community today Member login Email address Password Forgot password? About the author Fotis Kapetopoulos is an arts consultant who runs the annual Bite the Big Apple! New York Arts Management Tour 6 – 10 October. He is coordinating Arts West, a collaborative arts marketing strategy for Melbourne’s West and was the former editor of Neos Kosmos English Edition and former Director of Multicultural Arts Victoria.