Why don't our audiences look like a train stop? Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Lessons from Frankie on the future of craft and making Frankie editor-in-chief Jo Walker talks trends in craft and what the future of making looks like in Australia. 7 myths about the arts in Canberra We ask several arts workers what it's really like to live and work in Canberra. When the nation’s best vision is no vision at all No budget cuts to Australia Council funding isn't good news. Should you move regionally for work? We speak to several arts workers who made the move about what it is like to relocate for work. (Premium content) Premium content Fotis Kapetopoulos Friday 9 May, 2014 We will know we are really tapping culturally diverse audiences when the range of faces truly reflects the population. This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder in the Arts industry ... and much, much more. Subscribe Now and join the Australian arts community today Member login Email address Password Forgot password? About the author Fotis Kapetopoulos is an arts consultant who runs the annual Bite the Big Apple! New York Arts Management Tour 6 – 10 October. He is coordinating Arts West, a collaborative arts marketing strategy for Melbourne’s West and was the former editor of Neos Kosmos English Edition and former Director of Multicultural Arts Victoria.