How to build a full life in the screen trade Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles The ANZAC cinematographers, in all their eccentric glory (locked) The cinematographers who covered the Australians in World War One were a fantastic bunch, with a supporting gallery of remarkable English journalists. In Brief: SPA wants more consultation on Draft Code of Practice (locked) Screen Producers Australia looks for feedback on its draft of the Screen Industry Code on Discrimination, Harassment, Sexual Harassment. Building true longevity - the case for an intergenerational screen business (locked) To grow your business, think like a doctor or lawyer. What is more, their model is intergenerational. Industry thinker Dr David Court issues a challenge. Directors Guild nominations gallop towards finishing line (locked) From Mountain to Jungle, Sunshine to Cold Hearts the Directors' Guild has a bumper crop for the 2018 awards. (Premium content) Premium content ScreenHub Monday 7 May, 2018 There's a lot more to a life in the screen sector than a string of credits, as Ray Argall's Cecil Holmes Award demonstrates. This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder in the Arts industry ... and much, much more. Subscribe Now and join the Australian arts community today Member login Email address Password Forgot password? About the author ScreenHub is the online home for emerging and experienced Australian screen professionals.