Eight radical ways to change arts funding

Were any arts funding bodies or philanthropists brave enough to implement these suggestions from the US they might come close to getting what they actually want.
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A few years after I first started working in theatre, I worked under a director who used this phrase that I love. When he was trying to uncover something about a moment, get at what the character was doing, he would say something like, “So what’s actually actually happening is…”

I love this turn of phrase, actually actually, because I think it speaks to the layers of honesty with which we communicate. There’s a way in which we might say we’re doing something but actually actually we’re kind of doing something else. Like when I say that I’m working all day on a grant but actually actually I’m equal parts answering grant questions and distracting myself with games on my phone or reading emails that I don’t really need to look at. It’s not malicious, this uncovering of my real activities but it does show the ways in which we label our actions in ways that aren’t always inclusive of all the forces working on us.

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Adrienne Mackey
About the Author
Adrienne Mackey is the founder of Swim Pony, dedicated to works that are loud, strange and never seen before on earth! She has directed SURVIVE! - a 22,000 square ft installation exploring the universe and LADY M - an all-female take on Macbeth. Most recently, Adrienne directed THE BALLAD OF JOE HILL at Eastern State Penitentiary boasting a completely sold out run and a profile on NPR's Radio Times. She has received two Knight Arts Challenges, an Independence Fellowship and a Live Arts LAB fellowship. Adrienne also sings backup vocals as "The Truth" for Johnny Showcase and the Mystic Ticket.