Inside the life of a fine composer in chamber music, opera and film Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles How to make ideas happen Three creative entrepreneurs – the founders of Parlour Gigs, Underground Cinema and Envato – share how they got started; how they got funding, and how you stay on track. Mary and the Witch’s Flower Japanese animators Studio Ponoc wander through familiar territory in their first feature, but still revel in the gorgeous details. See-Saw goes for growth in Los Angeles A deal with New Regency symbolises the chance of a breakout to larger projects for See-Saw, which has always picked its partners extremely carefully. Berlin 2018 - Australia gets a toehold Australians do well at Berlin, and the first two names have been confirmed, with more to come. Unless something has gone dreadfully wrong. (Premium content) Premium content David Tiley Friday 10 November, 2017 Screen composer Bryony Marks talks feelings, order, rhythm and motherhood in the screen sector. This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder in the Arts industry ... and much, much more. Subscribe Now and join the Australian arts community today Member login Email address Password Forgot password? About the author David Tiley is the editor of Screen Hub.