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The Abbotsford Convent is a unique and striking historic site that operates as a vibrant arts, culture and learning precinct.
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From women’s representation to First Nations’ intellectual property – ArtsHub takes a look at significant social campaigns and what we can learn from them.
Across the country, artists are creating quality work that appeals to several generations simultaneously, and kids are reaping the benefits.
The importance of queer allies in LGBTIQ documentary narratives are being recognised at this year's Melbourne Queer Film Festival and Mardi Gras Film Festival.
Artistic Directors get the media profile, but behind the scenes, other staff help to present work and wrangle the artists on show. What else do their jobs entail, and how did they get to where they are?
Continued and concerted efforts to tackle the issue of gender inequality in the music industry are required.
How do festival directors navigate the tensions between honouring a festival’s past versus celebrating the innovative and the new?
The Parachute Festival is a two-day exploration of physical theatre bringing together a host of companies and independents from across Australia.
Art works which embrace neurodiversity can engage audiences in a myriad of enlightening ways.
Will the relocation of Ten Days on the Island and Mona Foma away from Hobart help heal Tasmania’s long-standing north-south divide?
Audience members get to vote in courtroom dramas which pit our need for entertainment against a range of contemporary legal dilemmas.
Arts organisations committed to long-term cultural engagement with the Asia-Pacific have transformed Brisbane; Bjelke-Petersen would barely recognise his old fiefdom.
Open access festivals like Sydney Fringe and Melbourne Fringe provide a snapshot of the current cultural zeitgeist.
Revealing the centrepiece of your program months in advance has become a common tactic, but what value do such announcements serve?
The impact of an arts festival is easily diffused in a major population centre. If you want your festival to really make a splash, hold it in a small town.
Fragmenting audiences, decolonisation, and arts centres muscling in on their territory: what do the coming years hold for our arts festivals and how will they evolve?
Commemorating 70 years of Fringe Festivals, World Fringe Day takes place on 11 July. But is the Fringe model still working?
The isolation of working in remote Australia is no drawback for a network of Indigenous art centres, which act as feeders to our top galleries and festivals.
When industry moved out and left a country town floundering, art festival Cementa moved in to activate it.
From comedians who deliberately make you sad to a new wave of feminist humour, comedy festivals are the perfect time to assess the art form's current concerns.
What sort of programming might a First Nations Arts Centre offer, and how would its operations, even its architecture, differ to existing venues?
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