Opportunity lost but Asia remains important Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Warm up with 18 days of hot art at Darwin Festival Instead of shivering through August, perhaps it’s time to embrace the thriving culture of the Top End? Mona Foma confirms Launceston relocation (locked) The Tasmanian government has committed $1.75 million to the relocation of Mona Foma (MoFo) to Launceston for each of next three years. Price first, design later - how the arts can learn from IKEA (locked) Setting the price point for an arts event can often be the death of it. IKEA demonstrate how flipping the model might guarantee greater success. But does this realistically translate to the arts context? Review: Dark Mofo 2018 Hobart’s renowned winter festival encourages punters to take risks, and rewards visitors with fascinating arts experiences. (Premium content) Premium content Douglas Gautier Thursday 29 May, 2014 Adelaide Festival Centre will continue its leading Asian/Australian cultural engagement despite losing all Federal support. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Member login Email address Password Forgot password? About the author Douglas Gautier is the CEO and Artistic Director at Adelaide Festival Centre.