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New funding will ensure Adelaide Fringe is more affordable for artists but some argue the money could be better targeted to support independent practitioners.
How important is Indigenous programming within festival culture, and has it moved beyond mere box-tick politics.
One theatre head departs, another is appointed, and the AD of a major festival steps down.
Changes at Four Winds, Sydney Writers Festival, and more.
The inaugural Festival Fatale, a two-day women’s theatre festival, is an explicitly feminist event.
The national regional arts conference Artlands was launched yesterday with a power trifecta using the occasion to launch new programs in language, tourism and film.
The inaugural Asia-Pacific Triennial of Performing Arts features over 60 events from 15 nations, including 25 specially commissioned world premieres.
The general manager of Adelaide's Feast Festival has been suspended just five weeks before the festival.
Adelaide's claim as Australia's Festival City has been strengthened with the signing of a historic agreement with the world's biggest festival.
STC's interim AD; new member joins Adelaide Festival board; Museum of Applied Arts and Sciences welcomes two new directors.
Organisers are determined to harness the community’s energy into a constructive future outcome.
In a detailed statement the Board have outlined their reasons for closing the festival down but failed to explain their lack of community consultation.
The Tasmanian Government has set ambitious targets to match a generous five-year funding package for the idiosyncratic winter arts festival.
Despite initially agreeing to front a public forum to explain why they have axed the festival, board members cancelled at short notice.
No one doubts Shakespeare's comedies are art but contemporary comedians are often dismissed in discussions of cultural value.
Growing older doesn’t have to mean abandoning a career but when your body is your instrument, it does require adjustment.
For a touring production, every sequin, wig and set is packed, tracked and shipped around the country.
Why do Australian festivals have a mania for moving their Artistic Directors on after only three or four years?
As the world is destabilised by a water crisis, art can play a role in stopping us taking for granted something we can't live without.
'Anywhere art' is now so widespread that the need for purpose-built galleries and theatres is being questioned.
Australia has public holidays for agricultural shows, football finals and a horse race. Why don't the arts have a public day of celebration?
As "festivalisation" takes over our cities, one thing is increasingly left off the programing list – and that is the visual arts.
Despite recent dramas, including the dismissal of the Board and the appointment of a statutory manager, the 2016 Festival will proceed as scheduled.
The Confederation of Australian International Arts Festivals responds to the drastic reductions in funding for the small to medium arts sector.
Data shows that art lovers aren’t going to the same places where the money is. It's time funding began to respect the diversity of tastes found in Australian audiences, argues Marcus Westbury.
Science has shown us the facts but art is needed to stimulate action on climate change.
More Opinions & Analysis
A well crafted, entertaining piece of theatre by a female lead creative team.
A sweaty, thumping collaboration between Tasmania’s Tasdance and Greece’s Jukstapoz for Ten Days on the Island.
ArtsHub's series of snapshot reviews of work presented as part of Dance Massive.
UK based theatre group Complicite present compelling and unsual The Encounter at PIAF.
This Argentinean/Chilean production is both a compelling piece of theatre and a deeply moving act of remembrance and reconciliation.
This playful, exhilarating work by Nouveau Cirque du Vietnam explores the changing pace of modern life as the city encroaches on village traditions.
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