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Showing all education news in Opinions & Analysis
The leadership of any organisation in sport, the arts or the corporate world must have a clear understanding of its values and standards, and be able to react to a breach straight away.
Opinions & Analysis
Esther Anatolitis offers a fiery response to a missed opportunity, saying the Arts2025 summit spiralled to a point where all focus was lost.
An open letter to the classical and orchestral sectors about the mistreatment of female artists.
By calling out the perpetrators of gendered harassment, NAVA hopes that many more people can come forward with confidence.
Andrea Dawkins MP, the Tasmanian Greens’ Arts spokesperson, discusses the challenges and opportunities facing the state's arts and cultural sectors.
We explore the challenges facing Tasmania’s creative industries in the lead-up to the state election on Saturday 3 March.
What qualities and skills are needed by today’s aspiring songwriters with sights on the international action? It’s a lot more than just rhythm and melody.
Queensland artists are in high demand overseas. Queensland artists are also moving to southern states to survive. How to resolve this defining contradiction of culture?
If we want good arts journalism it may just be up to us as content consumers, not because of cuts and a devaluing by the media giants.
Arts organisations are prioritising commercial and business skills in new employees instead of innovation and creativity, research shows.
Independent artists need independent producers; they also need to reconsider some of the negative stereotypes they have about the producer's role.
In response to Sydney University’s Final Change Plan for SCA, sector leaders have met to identify pressure points in what that vision might look like.
There's a lack of input from people working in the arts joining to the decision-making bodies.
Childlessness is often regarded as a necessary sacrifice for a creative career, especially for women.
The stories and voices excluded from the cultural mainstream are precisely those we need to be seeing and hearing in order to grow new audiences and cultivate a well-rounded civil society.
A creative arts organisation needs to be prepared to innovate in administration and structure as well as in creative product.
Australia has public holidays for agricultural shows, football finals and a horse race. Why don't the arts have a public day of celebration?
The superficial scramble for cultural diversity is not addressing the deep causes of exclusion and the power imbalance in the arts.
The ABC's decision to ‘de-commission’ music, features & creative content on Radio National has far-reaching implications for Australian culture.
A trick played on audiences at a current show prompts a high stakes argument about arts, kids and equity.
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