The brave new world of the independent producer Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Budgeting for sorry business First Nations theatre-makers have much to teach the sector when it comes to ensuring that our rehearsal rooms are culturally safe spaces. How to become a data-informed organisation The line between geek, creepy and cool is understanding the real-time realities that can help you become a data-informed cultural organisation. On the move: the latest appointments and resignations Staff shuffle at The Wheeler Centre; farewells for NAVA; new Creative Producer at Carlew, CEO for Canberra Glassworks announced, and more. How to turn your passion into a career Following your heart can lead to an interesting and fulfilling career. (Premium content) Premium content Ronee Penoi Monday 17 October, 2016 When we think of "producing," we often think "institution" but independent producers have a huge opportunity to create capacity and optimise opportunity. This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder in the Arts industry ... and much, much more. Subscribe Now and join the Australian arts community today Member login Email address Password Forgot password? About the author Ronee Penoi is the founder of Theatre from the District, an effort to support, advance, and tour the work of talented generative artists in Washington, DC.