The brave new world of the independent producer Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles 2018 Asialink Creative Exchanges announced 23 Australian artists will head to Asia in 2018 for creative exchanges. Who are they and what are they planning to do? Call of the wild: Extreme artist residencies Some artists are inspired by pushing their practice – and themselves – to the edge. We take a look at the experience of the extreme residency. Four companies partner to encourage greater theatre diversity Following the success of a development program for Asian Australian playwrights, a new initiative focuses on Asian Australian directors. On the move: the latest appointments and resignations (Premium locked content) Who's taking the reigns at Geelong Performing Arts Centre? Plus Buxton Contemporary, UNSW Art & Design, ILBIJERRI and more. (Premium content) Premium content Ronee Penoi Monday 17 October, 2016 When we think of "producing," we often think "institution" but independent producers have a huge opportunity to create capacity and optimise opportunity. This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder in the Arts industry ... and much, much more. Subscribe Now and join the Australian arts community today Member login Email address Password Forgot password? About the author Ronee Penoi is the founder of Theatre from the District, an effort to support, advance, and tour the work of talented generative artists in Washington, DC.