Five grounding techniques to cultivate resilient ensembles Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles On the move: the latest appointments and resignations New editor for The Saturday Paper and artist re-elected to PPCA Board, New Head for Leonard Joel and New Zealand Opera, plus other news. How to leverage rejection to fuel your arts career Rejection stings, but is inevitable in the arts – here's how artists, writers, actors and more have moved through painful moments to learn and improve their art. More women as Chairs required to fix arts gender problem If the present demographic of arts leadership is to change, then gender equity at every level needs to be addressed. Why mutual respect allows us to make better art Artists do their best work when they feel confident to play, when they feel they are not being judged, when they are spoken to with respect. (Premium content) Premium content Molly W. Schenck Monday 9 April, 2018 When creating work that addresses our tumultuous social and political climate, it's important to have processes in place which protect actors from vicarious trauma. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Member login Email address Password Forgot password? About the author Molly W. Schenck is an independent dance-theatre artist and the founding artistic director of Grey Box Collective (GBC). As an independent (and introverted) artist, she takes time to create solo-performances where she can investigate new forms of technologies, tools and expression. When directing for Grey Box Collective, she creates space for dialogue around difficult conversations utilizing a semi-devised approach to dance-theatre for social change. For the past ten years she has focused her creative efforts in staging sexual assault prevention. Additionally, she has performed with Orange Theatre Group, Conder/Dance Breaking Ground Series, Mesa Arts Center, and nue[BOX]. She has earned an MFA in Dance from Arizona State University, and a M. Ed. in Higher Education and a BA in Theatre from the University of Maine. Outside of the arts, she is a yoga instructor, personal trainer, and health and wellness educator. Learn more at www.mollywschenck.com.