Five grounding techniques to cultivate resilient ensembles Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Exploring the role of the creative in a post truth world We talk to four speakers presenting at this year’s Creative State Summit about the role creativity can play in the new world order, and the key trends creatives should be thinking about for the future. Career spotlight: Comedian (Premium locked content) Want to make a living by making people laugh? Get some advice from the professionals. 'Tampergate' – lessons for arts boards and managers The leadership of any organisation in sport, the arts or the corporate world must have a clear understanding of its values and standards, and be able to react to a breach straight away. On the move: the latest appointments and resignations (Premium locked content) Major changes for MSO, Playwriting Australia, Queensland Theatre, Canberra Glassworks, Voiceworks Magazine, and more. (Premium content) Premium content Molly W. Schenck Monday 9 April, 2018 When creating work that addresses our tumultuous social and political climate, it's important to have processes in place which protect actors from vicarious trauma. This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder in the Arts industry ... and much, much more. Subscribe Now and join the Australian arts community today Member login Email address Password Forgot password? About the author Molly W. Schenck is an independent dance-theatre artist and the founding artistic director of Grey Box Collective (GBC). As an independent (and introverted) artist, she takes time to create solo-performances where she can investigate new forms of technologies, tools and expression. When directing for Grey Box Collective, she creates space for dialogue around difficult conversations utilizing a semi-devised approach to dance-theatre for social change. For the past ten years she has focused her creative efforts in staging sexual assault prevention. Additionally, she has performed with Orange Theatre Group, Conder/Dance Breaking Ground Series, Mesa Arts Center, and nue[BOX]. She has earned an MFA in Dance from Arizona State University, and a M. Ed. in Higher Education and a BA in Theatre from the University of Maine. Outside of the arts, she is a yoga instructor, personal trainer, and health and wellness educator. Learn more at www.mollywschenck.com.