News, analysis and comment - performing arts |
Merrill Gabus and tUnE-yArDs developed a reputation for the strength of their live performances during 2011 and it’s completely deserved. The brainchild of Gabus and Nate Brenner, tUnE-yArDs combine strong vocals, folk, reggae, blues, pop, a horn section and a ukulele, then layer it all up with drum loops. They played in Hobart last week at the Theatre Royal as part of MONA FOMA, and I raced to the merch table to snap up both CDs and haven’t stopped playing them.
Gabus entered the stage solo and began making noises reminiscent of the ‘shouts’ performed by slaves in America pre-1865. These shouts were unstructured melodies made up from raw emotion that followed a beat lead by dancers – amazing stuff. I wasn’t surprised to learn that Gabus spent time teaching singing in Kenya. And whilst the entire performance was captivating, it was her incredible voice that was central to everything. Part Nina Simone with a dash of KD Lang, it is her quirkiness and sense of rhythm that gives her an edge.
The drums were then introduced, recorded and looped back so that new sounds and beats were layered upon it. Nate Brenner – who co wrote many of the songs on the second album, whokill – joined in with his bass, providing a fat and punchy bottom end that managed to complement the constant change in beat and genre perfectly. A great horn section rounded out the band and managed to infuse even more rhythmic punctuation.
The beat, the voice, the energy of this performance reached through your body and made it impossible not to move; I wasn’t the only one dancing in my seat. And with all of this movement and talent competing for space, lesser mortals would find it difficult to pull it together into something greater than the sum of its parts. However, that’s exactly what happened thanks to the tightness of the band and the strength of Gabus’ voice. It’s an exhilarating yet smooth ride that builds excitement. The band also has one hell of a good time: it’s infectious and makes it impossible to take yourself too seriously.
Some of the songs seemed familiar but I didn’t know where from. Some after-show research told me that the song ‘Fiya’ is featured on a 2010 commercial for the Blackberry Torch, and the better known ‘Gangsta’ has been used in the television show The Good Wife.
What a gift it was to see this band. What a greater treat to be given it for free as part of the MONA FOMA festival. Amanda Palmer from the Dresden Dolls raved about this festival and I agree: Brian Ritchie has done a great job.
If tUnE-yArDs are coming to a town near you, make sure you go. Failing that ‘do yourself a favour’ and get their latest album.
Rating: 4.5 out of 5 stars
tUnE-yArDs
Theatre Royal, Hobart
January 21, 2012
Leanne Minshull is the Chief of Staff for Tasmania's Greens Minister for Housing and Community Development. Leanne previously worked as Director of Strategy for Australian Greens Leader, Senator Bob Brown, and has degrees in Politics and Law and a Masters of Labor Law and Relations.
Aleksia Barron 23 May 2012
LA MAMA: Originally written as a gift for her family, Bethany Simons’ play is a faded portrait of country life told through one woman’s stories of war times, local dances, and homemade sausage rolls.
Nicole Eckersley 23 May 2012
NEXT WAVE: Circus artist Skye Gellman uses an iPhone app to lead an audience through his innovative and thoroughly fun new work.
Sarah Ward 23 May 2012
HUMAN RIGHTS ARTS & FILM FESTIVAL: Tomer Heymann’s documentary is a deeply personal portrait of a family caught between loyalty and personal freedom.
Liza Dezfouli 22 May 2012
THE OWL & THE PUSSYCAT: This one-woman show is a nicely rounded piece of theatre that contrasts modern dating dilemmas with the portrayals of love in the novels of Jane Austen.
Nicole Eckersley 22 May 2012
NEXT WAVE: Daniel Santangeli’s post-apocalyptic museum of civilisation ropes in its audience to create a melancholy, humorous and thoroughly enjoyable live art work.
Lynne Lancaster 22 May 2012
CARRIAGEWORKS: An astonishing piece of physical theatre about the preservation of our fragile planet.
Chard Core 22 May 2012
THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.
Aleksia Barron 22 May 2012
FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.
Nerida Dickinson 22 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.
Rebecca Butterworth 22 May 2012
THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.
Richard Watts 22 May 2012
NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.
Suzanne Yanko 21 May 2012
MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.
Nicole Murphy 21 May 2012
STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: Enter an augmented reality where a series of phone calls to your mobile phone direct your body, gaze, and imagination around Brisbane’s public spaces to unravel the story of a criminal only known as ...
Chloe Papas 21 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Five years of graveyard shifts at Triple J provided this Irish-Australian comedian with a wealth of material for his latest stand-up show.
Melanie Burge 21 May 2012
ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.
Astrid Francis 21 May 2012
DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.
Chloe Papas 21 May 2012
BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.
Flloyd Kennedy 21 May 2012
ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.