News, analysis and comment - performing arts |
Tom Ballard is what he is, and what he is, is gay. In a cracking start to Sydney’s Gay & Lesbian Mardi Gras, the Triple J Breakfast co-host shares an irreverent but deeply personal account of his experiences about coming out and getting to know himself as a gay man.
Ballard’s humor is the inappropriate, unmerciful Gen-Y kind, but despite this is refreshingly unpretentious. The way he manages to pull this off? Simply by turning the spotlight onto him much of the time; he’s too self-depreciating to be full of himself. So even though one minute he’s making a cringe-worthy joke about banging his mum, the next he’s telling the story of how he managed to pull a hammy because he didn’t warm down after an acting audition.
There’s also a level of honesty that’s surprising. Hearing him admit that the word ‘faggot’ still comes to mind when a camp, glowstick-waving, bare bum-cheek flaunting man prances by, is telling of Ballard’s continuing transition from having an inbuilt heterosexual thought process, to... well, whatever he is now. ‘Gay’, he says, is merely the simplest description he can give of himself, rather than being something that defines him exactly. Sex to him is a ‘free and wild thing’, and since that sounds more like an escaped animal than a sexual preference, he’s probably right just to stick with the old pigeonhole of ‘gay’.
What’s great about this long winded, slightly confusing spiel is that it makes the show inclusive of everyone. It’s not just gays that will find it funny; there’s no ‘them and us’- except where ‘us’ means most decent people, and ‘them’ means the homophobes. As Ballard happily tells, most of his friends are still just that – his friends – who if anything, probably feel more ‘cultured’ because they’ve now got ‘a gay friend’. Those that weren’t supportive are few in number, and frankly (to quote) – are tools.
Tom Ballard is young, talented, gay, and proud. He wants you to be happy. He wants everyone to be just as happy as the lesbian he saw on the tram affectionately chomping at her girlfriend’s crotch. He might be rather up front at times, but all are welcome to partake in his metaphorical group hug. Be Aussie about it and get along while you can!
Tom Ballard Is What He Is
Belvoir Street Theatre
February 15 – 27
For more details see the production’s Arts Hub event listing.
Bernie Burke is an emerging writer and visual artist from Sydney. A qualified Audio Engineer, she has worked London and Sydney's live music scenes. Other qualifications include a BA Design (UWS Nepean) and Painting studies at the historic Julian Ashton Art School. She has exhibited her artwork in Melbourne, Sydney and internationally. She now draws on her extensive experience in the arts to write critical reviews, and is currently completing a Master of Arts (Journalism) at the University of Technology, Sydney.
E: bburke@y7mail.comAleksia Barron 23 May 2012
LA MAMA: Originally written as a gift for her family, Bethany Simons’ play is a faded portrait of country life told through one woman’s stories of war times, local dances, and homemade sausage rolls.
Nicole Eckersley 23 May 2012
NEXT WAVE: Circus artist Skye Gellman uses an iPhone app to lead an audience through his innovative and thoroughly fun new work.
Sarah Ward 23 May 2012
HUMAN RIGHTS ARTS & FILM FESTIVAL: Tomer Heymann’s documentary is a deeply personal portrait of a family caught between loyalty and personal freedom.
Liza Dezfouli 22 May 2012
THE OWL & THE PUSSYCAT: This one-woman show is a nicely rounded piece of theatre that contrasts modern dating dilemmas with the portrayals of love in the novels of Jane Austen.
Nicole Eckersley 22 May 2012
NEXT WAVE: Daniel Santangeli’s post-apocalyptic museum of civilisation ropes in its audience to create a melancholy, humorous and thoroughly enjoyable live art work.
Lynne Lancaster 22 May 2012
CARRIAGEWORKS: An astonishing piece of physical theatre about the preservation of our fragile planet.
Chard Core 22 May 2012
THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.
Aleksia Barron 22 May 2012
FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.
Nerida Dickinson 22 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.
Rebecca Butterworth 22 May 2012
THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.
Richard Watts 22 May 2012
NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.
Suzanne Yanko 21 May 2012
MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.
Nicole Murphy 21 May 2012
STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: Enter an augmented reality where a series of phone calls to your mobile phone direct your body, gaze, and imagination around Brisbane’s public spaces to unravel the story of a criminal only known as ...
Chloe Papas 21 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Five years of graveyard shifts at Triple J provided this Irish-Australian comedian with a wealth of material for his latest stand-up show.
Melanie Burge 21 May 2012
ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.
Astrid Francis 21 May 2012
DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.
Chloe Papas 21 May 2012
BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.
Flloyd Kennedy 21 May 2012
ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.