News, analysis and comment - performing arts |
A brutally honest and raw performance of music and theatre, The Wheel of Frank Confession is an original and entirely entertaining evening. Spanning from Sydney, Brisbane and Adelaide, four talented singer songwriters have teamed up to create an evening of confessions, poetry, secrets and stunning music.
The combination and contrast of the four musicians (Ben Stewart- Brisbane, Emily Davis- Adelaide, Emma Dean- Brisbane, Brendan MacLean- Sydney) make The Wheel of Frank Confession an eclectic mix of tale and song. Stemming from a folk, pop, musical theatre and acoustic rock arena, ‘The Wheel’ is a spontaneous treat.
An outstandingly original idea, the construction of the piece takes place around each performer spinning the wheel of frank confession. Fear, love, death, hate and pride are all up for the heckling of tales and confession.
South Melbourne’s Butterfly Club covers tonights intimate crowd in deep red lighting, a perfect accompaniment to the secrets and confessions about to be revealed.
Presumably used to performing in a larger space, the performers ease comfortably into the night. No one knows where the wheel will land, leaving each of the shows completely original. The Butterfly Club, though perhaps a little too intimate for the crowd numbers, still shines in all its kitsch-like wonder. The intimate audience seems a little nervous when first asked to share a confession but, as the show continues into the deeper, darker world of the performers, a sense of trust is created and confessions start filtering onto the stage.
‘The Wheel’ team derives a warm atmosphere throughout, as they delve into stories of love, friendship, loss, fear and pride.
Ben Stewart, an acoustic singer songwriter from Brisbane, binds the show together with his hauntingly poetic voice. His brave cover of Queen’s Bohemian Rhapsody, highlights this mans ability as a singer and storyteller. Adelaide’s Emily Davis, clad in a stunning black corset, is the core of the show. Her rawness and complete honesty in deliverance quickly abolishes any sort of hierarchy between performer and audience. The crowd seems immediately comfortable in her presence. Emma Dean, a well-known musician from Brisbane, steps naturally into a more theatre type performance while still managing to deliver her words and music with truth and a sense of honesty. When performing her single, Real Life Computer Game, this songstress demonstrates her passion and musical talent. Sydney’s Brendan MacLean is the charming finish to this wonderful group of performers. His wit, his voice and his sense of humbleness are the perfect compliment.
Part cabaret, part musical and part intimate theatre- The Wheel of Frank Confession is a little difficult to define. But attempted definitions aside, The Wheel… is an original and enchanting idea and these four talented musicians, have pulled it out without a flaw.
• The Wheel of Frank Confession featuring Ben Stewart, Emily Davis, Emma Dean & Brendan MacLean
• The Butterfly Club, South Melbourne
• November 5th- 8th 2009
Aleksia Barron 23 May 2012
LA MAMA: Originally written as a gift for her family, Bethany Simons’ play is a faded portrait of country life told through one woman’s stories of war times, local dances, and homemade sausage rolls.
Nicole Eckersley 23 May 2012
NEXT WAVE: Circus artist Skye Gellman uses an iPhone app to lead an audience through his innovative and thoroughly fun new work.
Sarah Ward 23 May 2012
HUMAN RIGHTS ARTS & FILM FESTIVAL: Tomer Heymann’s documentary is a deeply personal portrait of a family caught between loyalty and personal freedom.
Liza Dezfouli 22 May 2012
THE OWL & THE PUSSYCAT: This one-woman show is a nicely rounded piece of theatre that contrasts modern dating dilemmas with the portrayals of love in the novels of Jane Austen.
Nicole Eckersley 22 May 2012
NEXT WAVE: Daniel Santangeli’s post-apocalyptic museum of civilisation ropes in its audience to create a melancholy, humorous and thoroughly enjoyable live art work.
Lynne Lancaster 22 May 2012
CARRIAGEWORKS: An astonishing piece of physical theatre about the preservation of our fragile planet.
Chard Core 22 May 2012
THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.
Aleksia Barron 22 May 2012
FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.
Nerida Dickinson 22 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.
Rebecca Butterworth 22 May 2012
THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.
Richard Watts 22 May 2012
NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.
Suzanne Yanko 21 May 2012
MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.
Nicole Murphy 21 May 2012
STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: Enter an augmented reality where a series of phone calls to your mobile phone direct your body, gaze, and imagination around Brisbane’s public spaces to unravel the story of a criminal only known as ...
Chloe Papas 21 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Five years of graveyard shifts at Triple J provided this Irish-Australian comedian with a wealth of material for his latest stand-up show.
Melanie Burge 21 May 2012
ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.
Astrid Francis 21 May 2012
DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.
Chloe Papas 21 May 2012
BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.
Flloyd Kennedy 21 May 2012
ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.