News, analysis and comment - performing arts 

The somewhat accurate history of the Roman Empire

By Sarah Adams artsHub | Sunday, March 28, 2010

Andrew McLelland’s 'Somewhat Accurate History of the Fall of the Roman Empire'  

Andrew McClelland is like a jolly school teacher as he takes us on an adventure of historical hilarity in his latest Comedy Festival offering: Andrew McClelland’s Somewhat Accurate History of the Fall of the Roman Empire.

With a title that makes your average Joe need to pause for breath, it is a good thing that Andrew is much more skilled than the rest of us he beguilingly pushes through an hour of odd facts and fascinating history without appearing to stop to blink.

With a memory like a sponge he bandies about information like there is no tomorrow, easily recounting various hilarious theories about the fall of the Roman Empire. He involves the audience by giving several volunteers roles - on the night I went, the man who was chosen as Julius Caesar appeared perilous at first, but delved steadfastly into his role with an amazing fervor and uproarious result.

At the Comedy Festival last year, Andrew McClelland performed with Lawrence Leung in a show called Time Ninjas at the Trades Hall. In a much larger venue, most likely due to Leung’s success with his ABC show at the time, it must be a transition to go solo to a much smaller room. Andrew is definitely a force to be reckoned with on his own though, and it is great to see what he’s all about alone.

The Lunch Room is quite a small venue at the base of the Town Hall. Filled to capacity, the somewhat sweaty room was cramped but superfluous to what was an engaging late night show. Andrew kept the audience engaged with his palpable energy at a time when many comics might find themselves fighting a losing battle to keep attention drawn to them. Andrew is a pro; however, and never for a moment did I feel the need to stifle a yawn.

To close the show Andrew dons a toga and belts out a song, which I won’t give away. This is testament to his enviable talents as both a comic and all round performer.

And if you don’t know anything about the Roman Empire, don’t worry. This show is accessible to everyone – the facts and jokes are hilarious on their own and don’t need to be referenced to a wealth of knowledge in order to gain laughs. In fact, some of the show is quite silly in a very endearing way as we are walked through tales of orgies, the punishment for adultery and what a vomitorium REALLY is.

School debater articulate, Andrew is sharp and extraordinarily clever. If you know nothing to begin with, you certainly will at the end and you not only feel satisfied but also find yourself wishing you’d had Mr. McCelland for year 10 history.

Andrew McClelland’s Somewhat Accurate History of the Fall of the Roman Empire.

Date
25 March - 18 April

Times
Tue-Sat 9.45pm, Sun 8.45pm

Duration
60 minutes

Venue
Melb Town Hall - Lunch Room
Cnr Swanston & Collins Sts, Melbourne

http://www.comedyfestival.com.au/2010/season/shows/andrew-mcclelland-s-somewhat-accurate-history-of-the-fall-of-the-roman-empire

Sarah Adams

Sarah Adams is a writer and sub-editor for ArtsHub. Follow her on twitter @sezadams

E: editor@artshub.com.au

Related news

The Queen Has No Crown

The Queen Has No Crown

Sarah Ward 23 May 2012

HUMAN RIGHTS ARTS & FILM FESTIVAL: Tomer Heymann’s documentary is a deeply personal portrait of a family caught between loyalty and personal freedom.

Jane Austen is Dead

Jane Austen is Dead

Liza Dezfouli 22 May 2012

THE OWL & THE PUSSYCAT: This one-woman show is a nicely rounded piece of theatre that contrasts modern dating dilemmas with the portrayals of love in the novels of Jane Austen.

Wheyface

Wheyface

Nicole Eckersley 22 May 2012

NEXT WAVE: Daniel Santangeli’s post-apocalyptic museum of civilisation ropes in its audience to create a melancholy, humorous and thoroughly enjoyable live art work.

A Return to the Trees

A Return to the Trees

Lynne Lancaster 22 May 2012

CARRIAGEWORKS: An astonishing piece of physical theatre about the preservation of our fragile planet.

Crushed

Crushed

Chard Core 22 May 2012

THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.

Uncle Vanya

Uncle Vanya

Aleksia Barron 22 May 2012

FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.

Sammy J and Randy – The Inheritance

Sammy J and Randy – The Inheritance

Nerida Dickinson 22 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.

Henry IV Part One

Henry IV Part One

Rebecca Butterworth 22 May 2012

THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.

Liberate Yourself From My Vice-Like Grip!!!

Liberate Yourself From My Vice-Like Grip!!!

Richard Watts 22 May 2012

NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.

Melbourne Chamber Orchestra: Aria

Melbourne Chamber Orchestra: Aria

Suzanne Yanko 21 May 2012

MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.

120 Birds

120 Birds

Nicole Murphy 21 May 2012

STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.

Haven

Haven

Nerissa Rowan 21 May 2012

ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.

This is Kansas City

This is Kansas City

Nerissa Rowan 21 May 2012

ANYWHERE THEATRE FESTIVAL: Enter an augmented reality where a series of phone calls to your mobile phone direct your body, gaze, and imagination around Brisbane’s public spaces to unravel the story of a criminal only known as ...

Dave Callan

Dave Callan

Chloe Papas 21 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: Five years of graveyard shifts at Triple J provided this Irish-Australian comedian with a wealth of material for his latest stand-up show.

The Laramie Project – 10 Years Later

The Laramie Project – 10 Years Later

Melanie Burge 21 May 2012

ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.

The Magic Hour

The Magic Hour

Astrid Francis 21 May 2012

DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.

I (Honestly) Love You

I (Honestly) Love You

Chloe Papas 21 May 2012

BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.

Demain L’Aurore

Demain L’Aurore

Flloyd Kennedy 21 May 2012

ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.

John Robertson – The Old Whore

John Robertson – The Old Whore

Nerida Dickinson 20 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: A stimulating hour of repartee from a rapid-fire raconteur.

Jennifer Wong - Ouch & other words

Jennifer Wong - Ouch & other words

Nerida Dickinson 20 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: Sweetly told tales of everyday dramas, with attempts to discuss some Important Issues.