News, analysis and comment - performing arts 

The somewhat accurate history of the Roman Empire

By Sarah Adams ArtsHub | Sunday, March 28, 2010

Andrew McLelland’s 'Somewhat Accurate History of the Fall of the Roman Empire'  

Andrew McClelland is like a jolly school teacher as he takes us on an adventure of historical hilarity in his latest Comedy Festival offering: Andrew McClelland’s Somewhat Accurate History of the Fall of the Roman Empire.

With a title that makes your average Joe need to pause for breath, it is a good thing that Andrew is much more skilled than the rest of us he beguilingly pushes through an hour of odd facts and fascinating history without appearing to stop to blink.

With a memory like a sponge he bandies about information like there is no tomorrow, easily recounting various hilarious theories about the fall of the Roman Empire. He involves the audience by giving several volunteers roles - on the night I went, the man who was chosen as Julius Caesar appeared perilous at first, but delved steadfastly into his role with an amazing fervor and uproarious result.

At the Comedy Festival last year, Andrew McClelland performed with Lawrence Leung in a show called Time Ninjas at the Trades Hall. In a much larger venue, most likely due to Leung’s success with his ABC show at the time, it must be a transition to go solo to a much smaller room. Andrew is definitely a force to be reckoned with on his own though, and it is great to see what he’s all about alone.

The Lunch Room is quite a small venue at the base of the Town Hall. Filled to capacity, the somewhat sweaty room was cramped but superfluous to what was an engaging late night show. Andrew kept the audience engaged with his palpable energy at a time when many comics might find themselves fighting a losing battle to keep attention drawn to them. Andrew is a pro; however, and never for a moment did I feel the need to stifle a yawn.

To close the show Andrew dons a toga and belts out a song, which I won’t give away. This is testament to his enviable talents as both a comic and all round performer.

And if you don’t know anything about the Roman Empire, don’t worry. This show is accessible to everyone – the facts and jokes are hilarious on their own and don’t need to be referenced to a wealth of knowledge in order to gain laughs. In fact, some of the show is quite silly in a very endearing way as we are walked through tales of orgies, the punishment for adultery and what a vomitorium REALLY is.

School debater articulate, Andrew is sharp and extraordinarily clever. If you know nothing to begin with, you certainly will at the end and you not only feel satisfied but also find yourself wishing you’d had Mr. McCelland for year 10 history.

Andrew McClelland’s Somewhat Accurate History of the Fall of the Roman Empire.

Date
25 March - 18 April

Times
Tue-Sat 9.45pm, Sun 8.45pm

Duration
60 minutes

Venue
Melb Town Hall - Lunch Room
Cnr Swanston & Collins Sts, Melbourne

http://www.comedyfestival.com.au/2010/season/shows/andrew-mcclelland-s-somewhat-accurate-history-of-the-fall-of-the-roman-empire

Sarah Adams

Sarah Adams is a writer and sub-editor for ArtsHub. Follow her on twitter @sezadams

E: editor@artshub.com.au

Related news

The Jinglists

The Jinglists

Matt D’Silva 4 Feb 2012

BONDI PAVILION: A quirky, slapstick comedy in the manner of Month Python, The Jinglists will make you laugh.

The Day The Sky Turned Black

The Day The Sky Turned Black

Chloe Papas 4 Feb 2012

FRINGE WORLD: Ali Kennedy-Scott's play chronicling the stories of everyday heroes who fought Victoria's ‘Black Saturday’ bushfires takes audiences on unrestrained emotional ride.

Three Strikes

Three Strikes

Astrid Francis 3 Feb 2012

FRINGE WORLD: LA-based writer Brian Finkelstein weaves together tales of the US Writers' Strike of 2007 and Haymarket Massacre of 1886 into an ultimately gratifying whole.

On The Couch with the Freudian Dream Girls

On The Couch with the Freudian Dream Girls

Astrid Francis 3 Feb 2012

FRINGE WORLD: If you want to have a dream interpreted in an unusual context, this is the show for you; if you are looking for something more theatrical, not so much.

The Magic Flute

The Magic Flute

Jennie Sharpe 4 Feb 2012

SYDNEY OPERA HOUSE: The Metropolitan Opera's The Magic Flute, reproduced by Opera Australia, does everything possible to bring it into the 21st century.

Cirque Appetit

Cirque Appetit

Angela Perry 1 Feb 2012

FRINGE WORLD: Cirque Appetit is a collective from Perth’s circus and theatre schools, who used comedy, performance art, circus, dance and physical theatre to delight the audience.

Barry Morgan’s World of Organs

Barry Morgan’s World of Organs

Mariyon Slany 31 Jan 2012

FRINGE WORLD: Good old-fashioned entertainment, Barry Morgan’s World of Organs is an innuendo-filled 1970s spoof on sales pitches, organs, bad polyester suits and organs.

Meow Meow

Meow Meow

Jessica Keath 31 Jan 2012

SYDNEY FESTIVAL: Meow Meow's sold-out festival closing night performance was a rare pleasure and a delight.

Cinderella

Cinderella

Patricia Maunder 30 Jan 2012

VICTORIAN OPERA: Outgoing musical director Richard Gill put on an unexpected yet entirely logical addition to his outstanding legacy with this all-too-short season of Cinderella.

West Side Story

West Side Story

Victor Kline 30 Jan 2012

SYDNEY FESTIVAL: A presentation of the classic West Side Story with music performed live by the Sydney Symphony, this was a fun multi-media night fit to win over the cynics.

Bye Bye World

Bye Bye World

Astrid Francis 30 Jan 2012

FRINGE WORLD: Winner of last year's Best of Amsterdam Fringe, Bye Bye World is a beautifully crafted tale of the desire to reject one’s accumulated existence.

Thyestes

Thyestes

Marcus Costello 28 Jan 2012

COMPANY BELVOIR/CARRIAGEWORKS: A radical modernising of Seneca’s play, this production of Thyestes is harrowing but quite brilliant.

Zoo Twilight Series – James Morrison

Zoo Twilight Series – James Morrison

Suzanne Yanko 28 Jan 2012

MELBOURNE ZOO: The second in the Zoo’s 2012 Twilight Series had something for everyone, and left the mixed audience applauding and wishing there was more.

Ordinary Days

Ordinary Days

Gareth Beal 28 Jan 2012

DARLINGHURST THEATRE: A musical rom-com with an excellent cast, Ordinary Days boasts a strong narrative structure, but also leans towards sentimentality.

tUnE-yArDs

tUnE-yArDs

Leanne Minshull 28 Jan 2012

MONA FOMA: tUnE-yArDs delivered a great set as part of Tasmania's MONA FOMA festival, capping off an over-all extraordinary event.

Animagica

Animagica

Jessika Steiner 25 Jan 2012

SYDNEY FESTIVAL: Simple yet beautiful, Amiina's soundscapes created for film-maker Lotte Reiniger's shadow puppet fairytales take audiences on a journey of escapism.

Class Actress - Rapprocher

Class Actress - Rapprocher

Bernadette Burke 28 Jan 2012

EMI: Elizabeth Harper’s debut under the name Class Actress, Rapproacher is a catchy, fun party spinner perfectly suited to being pulled apart and remixed in a hundred different ways.

Proximity Micro Festival

Proximity Micro Festival

Astrid Francis 25 Jan 2012

FRINGE WORLD: A program of small-scale theatre, dance and live-art, Proximity is for those who like the idea of being the performance, not just watching it.

In Vogue: Songs By Madonna

In Vogue: Songs By Madonna

Aleksia Barron 24 Jan 2012

MIDSUMMA: Michael Griffiths brings new meaning to Madonna's songs in a show that unites its audiences in joy.

PJ Harvey

PJ Harvey

Leanne Minshull 24 Jan 2012

MONA FOMA: Although PJ Harvey played a characteristally excellent set at PW1, the bane of short folk attending gigs everywhere - the backs of taller people's heads - detracted from the overall experience.