News, analysis and comment - performing arts 

The Sapphires

By Gillian Clark artsHub | Monday, February 08, 2010

The Sapphires - Christine Anu Casey Donovan Hollie Andrew Kylie Farmer / Image by Gary Marsh  

Entertainment not politics was on Aboriginal playwright Tony Briggs' mind in revisiting 1968. Politics are not Tony Briggs' main concern. They come a distant second to entertainment. The Aboriginal actor and now playwright, perhaps best known for his role in the Stolen Generations play, Stolen, stresses several times that his first play, The Sapphires, is not about the racist persecution of the 1960s.

"It's a celebration," he says of the play, which tells of a four-woman Aboriginal group on a tour of war-torn Vietnam. Meet the McCrae sisters – four gorgeous singers from country New South Wales whose biggest dream is to become as famous as their Motown idols. It is 1969, and their Supremes cover band is performing in St Kilda’s Tiki Club when the sisters are spotted by a talent scout. Soon they are dreaming of fame, fortune and glamorous international careers.

Instead, these Koori divas find themselves in the war zone of Vietnam, entertaining the troops. Based on the true story of his mother’s and aunts’ showbiz careers, Tony Briggs has created a steamy and swinging medley of the highs and lows of family, love, war and the hottest soul music in the jungle of ‘Nam!

This new co-production by Black Swan and Company B Belvoir of the hit musical The Sapphires is bigger and better than ever, and features a stellar cast led by Christine Anu and Casey Donovan. What Anu has in depth of experience, Donovan displays in boldness and fantastic near first debut for the theatre. She renders spine tingling renditions of classics along with comic acting qualities which make her performance especially memorable.

Wesley Enoch directs this feel-good production full of the Motown classics that defined a generation, and our leading ladies raise the roof of the Playhouse Theatre as they perform such hits as Love is like a Heatwave, Respect and Higher & Higher. The costumes by Tim Chappel are glamorous and cleverly designed to surprise at the finale and are complimented by choreographer Tony Bartuccio elegant moves in turns.

Anu’s character Gail speaks of ‘quality of spirit’ and it is on display in this period musical which received standing ovations with the opening night audience. Responding to the heartfelt words of the talent scout, Dave played with great virtuosity by Oliver Wenn, Gail’s future is secured as is all the McCrae sisters either in matrimony or sibling bonding. I adored the glam, the spunk of this production made possible by all the creatives involved and Perth audiences will not be disappointed at all by this important addition to the canon of Aboriginal entertainment which is adoring fans of indigenous culture found on stage and screen.

THE SAPPHIRES

BY TONY BRIGGS

BLACK SWAN STATE THEATRE COMPANY AND COMPANY B BELVOIR

DIRECTOR Wesley Enoch

CAST INCLUDES Aljin Abella, Christine Anu, Jimi Bani, Casey Donovan, Kylie Farmer, Kenneth Ransom and Oliver Wenn

Currently playing at The Playhouse in Perth

Gillian Clark

Gill Clark is an arts hub reviewer based in Perth.

E: editor@artshub.com.au

Related news

The Queen Has No Crown

The Queen Has No Crown

Sarah Ward 23 May 2012

HUMAN RIGHTS ARTS & FILM FESTIVAL: Tomer Heymann’s documentary is a deeply personal portrait of a family caught between loyalty and personal freedom.

Jane Austen is Dead

Jane Austen is Dead

Liza Dezfouli 22 May 2012

THE OWL & THE PUSSYCAT: This one-woman show is a nicely rounded piece of theatre that contrasts modern dating dilemmas with the portrayals of love in the novels of Jane Austen.

Wheyface

Wheyface

Nicole Eckersley 22 May 2012

NEXT WAVE: Daniel Santangeli’s post-apocalyptic museum of civilisation ropes in its audience to create a melancholy, humorous and thoroughly enjoyable live art work.

A Return to the Trees

A Return to the Trees

Lynne Lancaster 22 May 2012

CARRIAGEWORKS: An astonishing piece of physical theatre about the preservation of our fragile planet.

Crushed

Crushed

Chard Core 22 May 2012

THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.

Uncle Vanya

Uncle Vanya

Aleksia Barron 22 May 2012

FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.

Sammy J and Randy – The Inheritance

Sammy J and Randy – The Inheritance

Nerida Dickinson 22 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.

Henry IV Part One

Henry IV Part One

Rebecca Butterworth 22 May 2012

THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.

Liberate Yourself From My Vice-Like Grip!!!

Liberate Yourself From My Vice-Like Grip!!!

Richard Watts 22 May 2012

NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.

Melbourne Chamber Orchestra: Aria

Melbourne Chamber Orchestra: Aria

Suzanne Yanko 21 May 2012

MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.

120 Birds

120 Birds

Nicole Murphy 21 May 2012

STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.

Haven

Haven

Nerissa Rowan 21 May 2012

ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.

This is Kansas City

This is Kansas City

Nerissa Rowan 21 May 2012

ANYWHERE THEATRE FESTIVAL: Enter an augmented reality where a series of phone calls to your mobile phone direct your body, gaze, and imagination around Brisbane’s public spaces to unravel the story of a criminal only known as ...

Dave Callan

Dave Callan

Chloe Papas 21 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: Five years of graveyard shifts at Triple J provided this Irish-Australian comedian with a wealth of material for his latest stand-up show.

The Laramie Project – 10 Years Later

The Laramie Project – 10 Years Later

Melanie Burge 21 May 2012

ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.

The Magic Hour

The Magic Hour

Astrid Francis 21 May 2012

DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.

I (Honestly) Love You

I (Honestly) Love You

Chloe Papas 21 May 2012

BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.

Demain L’Aurore

Demain L’Aurore

Flloyd Kennedy 21 May 2012

ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.

John Robertson – The Old Whore

John Robertson – The Old Whore

Nerida Dickinson 20 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: A stimulating hour of repartee from a rapid-fire raconteur.

Jennifer Wong - Ouch & other words

Jennifer Wong - Ouch & other words

Nerida Dickinson 20 May 2012

PERTH INTERNATIONAL COMEDY FESTIVAL: Sweetly told tales of everyday dramas, with attempts to discuss some Important Issues.