News, analysis and comment - performing arts |
On Saturday September 18th the Mystery Bus picked up 100 energized passengers from the newly reopened Imperial Hotel, a famous and always infamously trashy gay bar that has been restored within an inch of its life (I don’t like the new colour scheme and they don’t have Coopers on tap). Luckily the idea of the tour was to drop off our eager passengers at different locations each night, with no idea what to expect from each performance. Because of the nature of the experience, this review of The Mystery Bus component of the Fringe Festival will be more a review of an idea than of the event proper.
With the great mix among the crowd, a cute guy in a tweed hat snaked through the car park serenading us all. We boarded the bus with a sense of wild anticipation and indeed, an air of mystery. Few on the bus actually knew where we were going, and we had great fun loudly wondering which gay sex club we might be delivered to. Nevertheless, after a short drive one suburb away we disembarked in an industrial area within St Peters and our energetic host announced we had arrived.
Filing through a non-descript door we found ourselves at the foot of a large statue of the Budda, in a large warehouse space that was beautifully lit and filled with a crowd of 100 people waiting anxiously for the performance to begin.
Charlie Maddox, one of the best double bass players in Australia, started with an upbeat jam before we were treated to a sensual belly dance from Kale. There was an accomplished mime performer (which frankly scared me – mimes always creep me out); but it was the amazing beat poet Scott Sandwich who really fired up the crowd. In a web of words he gathered up all the energy in the room, and lifted it up, leaving us all mesmerised.
There was hula hooping, a puppet show, drag performance, and a quite amazing contortionist. Another standout performance was DJ Munted Monkey, who played music ranging from live dub to Beastie Boys between acts, leading up to the evening’s climax: The Caravan Of Doom. A crazy Melbourne-based carnie-esque group of circus performers.
It was a great idea to get the general public along to these secret spaces which are not widely known about. A performance night in a warehouse is so fundamentally different from the normal physical spaces in which we are entertained. For this we are thankful. Thank you Mystery Bus, may you ride again.
The Mystery Bus, season concluded.
The Sydney Fringe, September 10 – 26
Aleksia Barron 23 May 2012
LA MAMA: Originally written as a gift for her family, Bethany Simons’ play is a faded portrait of country life told through one woman’s stories of war times, local dances, and homemade sausage rolls.
Nicole Eckersley 23 May 2012
NEXT WAVE: Circus artist Skye Gellman uses an iPhone app to lead an audience through his innovative and thoroughly fun new work.
Sarah Ward 23 May 2012
HUMAN RIGHTS ARTS & FILM FESTIVAL: Tomer Heymann’s documentary is a deeply personal portrait of a family caught between loyalty and personal freedom.
Liza Dezfouli 22 May 2012
THE OWL & THE PUSSYCAT: This one-woman show is a nicely rounded piece of theatre that contrasts modern dating dilemmas with the portrayals of love in the novels of Jane Austen.
Nicole Eckersley 22 May 2012
NEXT WAVE: Daniel Santangeli’s post-apocalyptic museum of civilisation ropes in its audience to create a melancholy, humorous and thoroughly enjoyable live art work.
Lynne Lancaster 22 May 2012
CARRIAGEWORKS: An astonishing piece of physical theatre about the preservation of our fragile planet.
Chard Core 22 May 2012
THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.
Aleksia Barron 22 May 2012
FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.
Nerida Dickinson 22 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.
Rebecca Butterworth 22 May 2012
THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.
Richard Watts 22 May 2012
NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.
Suzanne Yanko 21 May 2012
MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.
Nicole Murphy 21 May 2012
STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: Enter an augmented reality where a series of phone calls to your mobile phone direct your body, gaze, and imagination around Brisbane’s public spaces to unravel the story of a criminal only known as ...
Chloe Papas 21 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Five years of graveyard shifts at Triple J provided this Irish-Australian comedian with a wealth of material for his latest stand-up show.
Melanie Burge 21 May 2012
ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.
Astrid Francis 21 May 2012
DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.
Chloe Papas 21 May 2012
BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.
Flloyd Kennedy 21 May 2012
ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.