News, analysis and comment - performing arts |
Featuring Annie Lee, Christine Johnston and Carolyn Johns, as Mourne, Eve and Dawn Kransky
Although touted as a musical comedy trio The Kransky Sisters aren’t trying to be funny at all. In fact they’re touring Australia to perform serious ‘popular music’ to their audiences.
From Esk in rural Queensland these three matronly sisters (biological sisters Mourne and Eve, and half sister Dawn) are traveling from state to state in their 1958 Morris Major and on the way (reception permitting) they listen to songs on their wireless, which they then practice and perform.
The show apparently opens with a slide show of the sisters’ road trip so far. I say apparently because the venue seating was such that the audience in my corner of the room had zero view of this part of the stage. The rest of the audience laughed, so I presume this was indeed entertaining.
The rest of the show follows a pattern of Mourne (the eldest, and marginally tyrannical sister) telling rather bizarre and often slightly creepy stories (echoed by a down trodden and sexually frustrated Eve), which is then followed by an improbably relevant song.
The Kransky Sisters cover songs from Michael Jackson, Johnny Cash, Slade, Art Garfunckel, Jim Croce, Steve Miller Band, SugaBabes, to ACDC, Eurythmics, Steppenwolf and Talking Heads. A personal favourite was a precisely enunciated ‘Pop Music’ by M, accompanied by some rather flash tambourine choreography.
Disturbingly naďve the sisters deadpan their truly original and unconventional versions of the songs, without a hint that they have any idea about what they are indeed singing about.
Aside from an unassumingly brilliant performance by Dawn on the Tuba, most of the instruments are as oddball and dated as the sisters themselves. A 60’s reed keyboard, musical saw, kitchen pot, an assortment of toilet brushes and a host of other bizarre music makers and shakers all feature.
The three spinsters are stuck in a fascinating time warp, and although they read magazines to copy the looks of Angelina Jolie and Joan Collins, their unsophisticated gothic look is rather more akin to Morticia from the Adams Family dressed in Opshop clothing.
Dawn (who is said to have rarely played before an audience having recently been recruited since sister Ava joined the marching military band) was mesmorising. Tight fisted and painstakingly awkward she watches the other two through her thick glasses in bored disdain and detachment, and utters not a word (although she belts out a few lines with a rather appealing voice), and yet, for me, steals the show.
Clever and meticulous in it’s detail, the show is unflinching in it’s character world, not even after the final clapping and closing when the audience files out and the sisters move to the door to sell tea towels, mementos and CDs of their music.
The show from this award-winning act, is only an hour, and it goes by in an instant, leaving you wanting more. Suitable for any audience, this is a must see show with universal appeal.
The Kransky Sisters: Heard it on the Wireless
Tanks Arts Centre, Collins Ave, Cairns
Part of the Cairns Festival 2010
August 20 – September 5
With a love of plenty of sunshine and anything in the great outdoors, Kirsten Le Roux lives in Cairns. Her background is working in the marketing communications industry in South Africa, London, Belfast and Melbourne. A ferocious reader of any books since childhood, Kirsten relishes being entertained, provoked and charmed by stories - in print, at the movies or in theatre. Kirsten enjoys reviewing because she feels other everyday people may like to know the point of view of another Everyday-Average-Joe.
E: editor@artshub.com.auSarah Ward 23 May 2012
HUMAN RIGHTS ARTS & FILM FESTIVAL: Tomer Heymann’s documentary is a deeply personal portrait of a family caught between loyalty and personal freedom.
Liza Dezfouli 22 May 2012
THE OWL & THE PUSSYCAT: This one-woman show is a nicely rounded piece of theatre that contrasts modern dating dilemmas with the portrayals of love in the novels of Jane Austen.
Nicole Eckersley 22 May 2012
NEXT WAVE: Daniel Santangeli’s post-apocalyptic museum of civilisation ropes in its audience to create a melancholy, humorous and thoroughly enjoyable live art work.
Lynne Lancaster 22 May 2012
CARRIAGEWORKS: An astonishing piece of physical theatre about the preservation of our fragile planet.
Chard Core 22 May 2012
THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.
Aleksia Barron 22 May 2012
FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.
Nerida Dickinson 22 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.
Rebecca Butterworth 22 May 2012
THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.
Richard Watts 22 May 2012
NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.
Suzanne Yanko 21 May 2012
MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.
Nicole Murphy 21 May 2012
STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: Enter an augmented reality where a series of phone calls to your mobile phone direct your body, gaze, and imagination around Brisbane’s public spaces to unravel the story of a criminal only known as ...
Chloe Papas 21 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Five years of graveyard shifts at Triple J provided this Irish-Australian comedian with a wealth of material for his latest stand-up show.
Melanie Burge 21 May 2012
ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.
Astrid Francis 21 May 2012
DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.
Chloe Papas 21 May 2012
BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.
Flloyd Kennedy 21 May 2012
ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.
Nerida Dickinson 20 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: A stimulating hour of repartee from a rapid-fire raconteur.
Nerida Dickinson 20 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Sweetly told tales of everyday dramas, with attempts to discuss some Important Issues.