News, analysis and comment - performing arts |
Rasa Unmasked is a moving performance that takes you on a journey exploring different human emotions through contemporary dance. The intense soundscape and stage presence of the dancers makes it an unforgettable experience.
The piece is a result of the collaborations between Anandavalli & Australia’s Lingalayam Dance Company in collaboration with Ramli Ibrahim & Malaysia’s Sutra Dance Theatre and American/Chinese composer/musician, Alex Dea.
The coming together of artists from different parts of the world creates a piece which transcends all cultural barriers. With a strong focus on human emotions, the dance is universal.
Alex Dea’s soundscape is performed live to the right of the stage. It’s an intense mix of Javanese gamelan and Carnatic Indian vocals and percussion. I had never heard vocals which created such unusual sounds that were often startling but always in tune with what was happening center stage.
The use of instruments such as drums and bells chimed as the dancers moved responding to the sounds and the atmosphere as it changed around them. Transitions from one scene to the other were obvious, with strong distinctions in the sounds and the dancers’ movements and expression.
Rasa Unmasked explores human emotion by revealing the nine key sentiments of rasa: sringara (love), veera (heroism or valour), karuna(compassion), adbhuta (wonderment), hasya (mirth and laughter), bhaya (terror), bibhatsa (disgust), raudra (anger) and shanta (serenity).
The dancers use an array of masks and intense facial expressions to take the audience on a journey. These emotions are clear as we visit each one. Often there was a strong reliance on facial expression only accompanied by subtle movements to express to the audience the next phase of the journey.
Masks often were worn on the back of the head as the dancers frolicked across the stage sideward. In these instances costumes were also worn on backwards. This created some haunting visuals.
The costumes were a mix of traditional Malaysian and Indian attire. Often soft fabrics were used by the dancing swirling the stage creating a mystical scene. In one scene a dancer had her entire torso wrapped in soft silky fabric. A demonic creature held the end of her tether only allowing her to stray so far. Although very simple, this was a very powerful scene. Her constant struggle of unwinding herself and the tugging of her slayer mixed with intense facial expressions made for a great performance.
The dancers are able to transport the audience into their world. The relatively small space of the studio means you are up and close with the dancers and can see every flexed foot and hand gesture closely.
A powerful contemporary dance both beautiful and meaningful.
Rasa UnMasked at the Sydney Opera House
Tickets: Adults $35, Concession $30
Venue: The Studio, Sydney Opera House
Season: 13th March- 15th March
Duration: 80 minutes, no interval
Katie Preston Toepfer is a writer, photographer,short film maker and installation artist and is currently working in PR/marketing while studying her Masters in journalism. She has studied Fine Arts at the College of Fine Arts,NSW University obtaining a bachelor of fine arts majoring in time-based art. Katie has also studied photography at the National Art School. She has exhibited and sold photographic work at Burl Gallery and has had works in many exhibitions at both COFA, Kudos and Pine Street Galleries. Katie enjoys making short films and has had screenings at various galleries in Sydney including having one film screened at the Newtown Flicks Festival in 2006. She also loves performance work and has performed at La Franchis. Currently Katie is an event photographer for a social media website and in her current place of work writes informational blogs for visitors and has recently scripted and directed three short video works for a current promotion. She has started her own blog and continues to exhibit her artwork and write pieces of fiction as well as poetry.
Tomas Boot 7 Feb 2012
SYDNEY OPERA HOUSE: This 40th anniversary screening of the iconic surf flick, accompanied by live music, proved that it's still as relevant today as it was back then.
Siobhan Argent 6 Feb 2012
STUDIO 246, BRUNSWICK: While showcasing the promising and consistent offerings at Studio 246, Here, In the Sugarcane could perhaps do with a tweak.
Patricia Maunder 6 Feb 2012
MELBOURNE SYMPHONY ORCHESTRA: This local version of the BBC's Doctor Who Proms is a treat for Doctor Who fans, but not as much for classical music fans.
Rebecca Butterworth 6 Feb 2012
COMEDY THEATRE, MELBOURNE: It was always going to be difficult to live up to the beloved TV shows, but Yes, Prime Minister the stage show is still entertaining.
Angela Perry 6 Feb 2012
FRINGE WORLD: A tantalising mix of circus, music, dance, cabaret and burlesque combine in the Burlesque Garden.
Nerida Dickinson 6 Feb 2012
FRINGE WORLD: John Conway demonstrates the power of madcap positivity to generate further antics in his high energy Fringe World comedy mishmash.
Matt D’Silva 4 Feb 2012
BONDI PAVILION: A quirky, slapstick comedy in the manner of Month Python, The Jinglists will make you laugh.
Chloe Papas 4 Feb 2012
FRINGE WORLD: Ali Kennedy-Scott's play chronicling the stories of everyday heroes who fought Victoria's ‘Black Saturday’ bushfires takes audiences on unrestrained emotional ride.
Astrid Francis 3 Feb 2012
FRINGE WORLD: LA-based writer Brian Finkelstein weaves together tales of the US Writers' Strike of 2007 and Haymarket Massacre of 1886 into an ultimately gratifying whole.
Astrid Francis 3 Feb 2012
FRINGE WORLD: If you want to have a dream interpreted in an unusual context, this is the show for you; if you are looking for something more theatrical, not so much.
Jennie Sharpe 4 Feb 2012
SYDNEY OPERA HOUSE: The Metropolitan Opera's The Magic Flute, reproduced by Opera Australia, does everything possible to bring it into the 21st century.
Angela Perry 1 Feb 2012
FRINGE WORLD: Cirque Appetit is a collective from Perth’s circus and theatre schools, who used comedy, performance art, circus, dance and physical theatre to delight the audience.
Mariyon Slany 31 Jan 2012
FRINGE WORLD: Good old-fashioned entertainment, Barry Morgan’s World of Organs is an innuendo-filled 1970s spoof on sales pitches, organs, bad polyester suits and organs.
Jessica Keath 31 Jan 2012
SYDNEY FESTIVAL: Meow Meow's sold-out festival closing night performance was a rare pleasure and a delight.
Patricia Maunder 30 Jan 2012
VICTORIAN OPERA: Outgoing musical director Richard Gill put on an unexpected yet entirely logical addition to his outstanding legacy with this all-too-short season of Cinderella.
Victor Kline 30 Jan 2012
SYDNEY FESTIVAL: A presentation of the classic West Side Story with music performed live by the Sydney Symphony, this was a fun multi-media night fit to win over the cynics.
Astrid Francis 30 Jan 2012
FRINGE WORLD: Winner of last year's Best of Amsterdam Fringe, Bye Bye World is a beautifully crafted tale of the desire to reject one’s accumulated existence.
Marcus Costello 28 Jan 2012
COMPANY BELVOIR/CARRIAGEWORKS: A radical modernising of Seneca’s play, this production of Thyestes is harrowing but quite brilliant.
Suzanne Yanko 28 Jan 2012
MELBOURNE ZOO: The second in the Zoo’s 2012 Twilight Series had something for everyone, and left the mixed audience applauding and wishing there was more.
Gareth Beal 28 Jan 2012
DARLINGHURST THEATRE: A musical rom-com with an excellent cast, Ordinary Days boasts a strong narrative structure, but also leans towards sentimentality.