News, analysis and comment - performing arts |
Thin Ice in collaboration with Griffin Theatre Company and Company B Belvoir produced Love Me Tender for the Perth International Arts Festival 2010.
Inspired by Euripides’ Iphigenia at Aulis, and set in a dreamed-up version of the Australian backyard, five actors tease out the story of a father and daughter. With director Matthew Lutton this is a captivating piece of theatre and lucidly written by Tom Holloway that draws from the experiences of the Black Saturday bushfires, raunch culture, pre-teen sexuality and domestic anxieties. The trauma that the whole of Australia is privy to via the media of the natural disaster that is bushfires is personalised and somewhat healed in this significant work. With the use of Greek chorus or ensemble members, actors Kris McQuade and Arky Michael expertly paint vivid pictures in the audience’s minds of birthing, pre-teen sexuality and compromised life. Colin Moody is the father, and as a firefighter in the final stages of the play is painfully torn between his beloved daughter and his country. Moody is understated and delivers the highs and lows of the part with finesse. Belinda McClory as the mother assertively explores the raunch culture and this is a deftly delivered performance of repression and wildness. Luke Hewitt completes the actors and is convincing in his role.
Set designer Adam Gardnir created a ‘post-modernistic playpen of Australian domesticity’ - the Aussie lawn complete with sprinklers above and below to capture this story under the theatrical microscope. It is a simple yet inspired design and McQuade especially inhabits the space comfortably with her earthy, grounded and visceral performance.
Kelly Ryall as composer and sound designer has articulated the production with the natural bush ambient music and then subtle tortured cries layering the production hauntingly. Love Me Tender is so searing in its topicality and theatrical contemporariness, maintaining theatre to be constantly relevant to today.
Lutton has again delivered a theatrical experience of high calibre to Perth and later national audiences with its stage articulations through to the nuances of the subliminal journey - this is what makes his work passionate and always a hot ticket to hold!
Love Me Tender
By TOM HOLLOWAY
THINICE, COMPANY B BELVOIR AND GRIFFIN THEATRE COMPANY IN ASSOCIATION WITH PICA
Sat 20 Feb to Sat 6 Mar, 8.00PM
Matt D’Silva 4 Feb 2012
BONDI PAVILION: A quirky, slapstick comedy in the manner of Month Python, The Jinglists will make you laugh.
Chloe Papas 4 Feb 2012
FRINGE WORLD: Ali Kennedy-Scott's play chronicling the stories of everyday heroes who fought Victoria's ‘Black Saturday’ bushfires takes audiences on unrestrained emotional ride.
Astrid Francis 3 Feb 2012
FRINGE WORLD: LA-based writer Brian Finkelstein weaves together tales of the US Writers' Strike of 2007 and Haymarket Massacre of 1886 into an ultimately gratifying whole.
Astrid Francis 3 Feb 2012
FRINGE WORLD: If you want to have a dream interpreted in an unusual context, this is the show for you; if you are looking for something more theatrical, not so much.
Jennie Sharpe 4 Feb 2012
SYDNEY OPERA HOUSE: The Metropolitan Opera's The Magic Flute, reproduced by Opera Australia, does everything possible to bring it into the 21st century.
Angela Perry 1 Feb 2012
FRINGE WORLD: Cirque Appetit is a collective from Perth’s circus and theatre schools, who used comedy, performance art, circus, dance and physical theatre to delight the audience.
Mariyon Slany 31 Jan 2012
FRINGE WORLD: Good old-fashioned entertainment, Barry Morgan’s World of Organs is an innuendo-filled 1970s spoof on sales pitches, organs, bad polyester suits and organs.
Jessica Keath 31 Jan 2012
SYDNEY FESTIVAL: Meow Meow's sold-out festival closing night performance was a rare pleasure and a delight.
Patricia Maunder 30 Jan 2012
VICTORIAN OPERA: Outgoing musical director Richard Gill put on an unexpected yet entirely logical addition to his outstanding legacy with this all-too-short season of Cinderella.
Victor Kline 30 Jan 2012
SYDNEY FESTIVAL: A presentation of the classic West Side Story with music performed live by the Sydney Symphony, this was a fun multi-media night fit to win over the cynics.
Astrid Francis 30 Jan 2012
FRINGE WORLD: Winner of last year's Best of Amsterdam Fringe, Bye Bye World is a beautifully crafted tale of the desire to reject one’s accumulated existence.
Marcus Costello 28 Jan 2012
COMPANY BELVOIR/CARRIAGEWORKS: A radical modernising of Seneca’s play, this production of Thyestes is harrowing but quite brilliant.
Suzanne Yanko 28 Jan 2012
MELBOURNE ZOO: The second in the Zoo’s 2012 Twilight Series had something for everyone, and left the mixed audience applauding and wishing there was more.
Gareth Beal 28 Jan 2012
DARLINGHURST THEATRE: A musical rom-com with an excellent cast, Ordinary Days boasts a strong narrative structure, but also leans towards sentimentality.
Leanne Minshull 28 Jan 2012
MONA FOMA: tUnE-yArDs delivered a great set as part of Tasmania's MONA FOMA festival, capping off an over-all extraordinary event.
Jessika Steiner 25 Jan 2012
SYDNEY FESTIVAL: Simple yet beautiful, Amiina's soundscapes created for film-maker Lotte Reiniger's shadow puppet fairytales take audiences on a journey of escapism.
Bernadette Burke 28 Jan 2012
EMI: Elizabeth Harper’s debut under the name Class Actress, Rapproacher is a catchy, fun party spinner perfectly suited to being pulled apart and remixed in a hundred different ways.
Astrid Francis 25 Jan 2012
FRINGE WORLD: A program of small-scale theatre, dance and live-art, Proximity is for those who like the idea of being the performance, not just watching it.
Aleksia Barron 24 Jan 2012
MIDSUMMA: Michael Griffiths brings new meaning to Madonna's songs in a show that unites its audiences in joy.
Leanne Minshull 24 Jan 2012
MONA FOMA: Although PJ Harvey played a characteristally excellent set at PW1, the bane of short folk attending gigs everywhere - the backs of taller people's heads - detracted from the overall experience.