News, analysis and comment - performing arts 

He Reo Aroha

By Laurel Green ArtsHub | Friday, March 12, 2010

He Reo Aroha, Tawata Productions, New Zealand International Arts Festival  

Tawata Productions’ He Reo Aroha is an unassuming and lovely reunion between two lovers through song. Created to showcase a side of Maori culture rarely seen in the media today, the nostalgic strains of traditional music are mixed with romantic new compositions by Hone Hurihanganui, Kali Kopae and Jamie McCaskill. He Reo Aroha returns to New Zealand for the International Arts Festival in Wellington after touring to Australia, Hawaii and Toronto, Canada.

He Reo Aroha tells the story of Kaia and Pascoe, two childhood sweethearts from Ti Kapa who still pine for one another although they are now worlds apart. The play begins in a New York music hall where Kaia is performing, resplendent in a silky red dress. “How many of you are looking for love?” she asks, and as a few audience members nervously applaud she smiles sympathetically. Kopae has a wonderfully bittersweet voice and as she sings accompanied by McCaskill on the guitar He Reo Aroha charms us from these first few notes.

From New York to Pascoe’s fishing boat, McCaskill and Kopae dexterously manover the stage to inhabit multiple characters with good humour and ease. The two actors share an undeniable chemistry and seem perfectly suited to the clever script McCaskill penned along with Miria George. Besides wooing us as the likeable Kaia, Kopae has the audience in stitches with her portrayal of Pascoe’s fishing buddy, a surprisingly philosophical first mate. Whether playing Kaia’s girl friend or the ancient ghost of her dead auntie, McCaskill embodies his roles with confidence and skill. A double date scene set in the local pub has both actors working overtime to hilarious result.

Keeping the staging simple allows director Hone Kouka to engage the audience with the cultural energy of this modern love story. With only their instruments to accompany them, our duo performs candidly in Maori and English. Those around me who knew the words sang along, celebrating the familiar everyday moments in the production. He Reo Aroha creates a community in the theatre that reminds us of why we love returning home.

Tawata Productions is an award-winning kaupapa Maori production house created by writers Hone Kouka and Miria George that works across mediums from theatre to film. He Reo Aroha will be performed in Otaki and Porirua as part of the NZ Arts Festival, but will return to Wellington for a limited engagement run at Circa Theatre from 16 June − 26 June, 2010.

The New Zealand International Arts Festival showcases a feast of music, theatre, dance, literature and visual arts as artists from around the globe gather in Wellington from 26 February – 21 March, 2010.

Tawata Productions presents He Reo Aroha
9 & 10 March, Soundings Theatre, Te Papa
11 March at 7pm, Otaki College
12 March at 7pm, 13 March at 4pm, Pataka Museum, Porirua
Tickets available by calling 0800 TICKETEK (0800 842 538) or online

Laurel Green

Laurel Green is a freelance writer, producer and director whose reviews can be also be found at Australian Stage Online, Stage Whispers, and her own international blog The Dramalogue (www.thedramalogue.wordpress.com). She holds a Masters degree in Drama from the University of Toronto.

E: editor@artshub.com

Related news

Midsummer (A Play With Songs)

Midsummer (A Play With Songs)

Lynne Lancaster 8 Feb 2012

SYDNEY OPERA HOUSE: Warm, wonderful and hilariously witty, this is a superb fantasia on midsummer madness and the meaning of love and life.

Pygmalion

Pygmalion

Lynne Lancaster 8 Feb 2012

SYDNEY THEATRE COMPANY: A minimalist contemporary version of George Bernard Shaw's famous play, this STC production is analytical and thought-provoking.

Flamenco Fire – Gypsy Pathways

Flamenco Fire – Gypsy Pathways

Sally Peters 8 Feb 2012

QPAC: Transporting the theatre to a vast land of ancient cultural wealth, Gypsy Pathways was a stunning show, full of passion.

Frisky and Mannish’s Pop Centrelink

Frisky and Mannish’s Pop Centrelink

Nerida Dickinson 8 Feb 2012

FRINGE WORLD: Engaging, clever, and never entirely predictable, Frisky and Mannish find and share more culture in pop music than ever seen on MTV.

Morning of the Earth

Morning of the Earth

Tomas Boot 7 Feb 2012

SYDNEY OPERA HOUSE: This 40th anniversary screening of the iconic surf flick, accompanied by live music, proved that it's still as relevant today as it was back then.

Here, In the Sugarcane

Here, In the Sugarcane

Siobhan Argent 6 Feb 2012

STUDIO 246, BRUNSWICK: While showcasing the promising and consistent offerings at Studio 246, Here, In the Sugarcane could perhaps do with a tweak.

Doctor Who Symphonic Spectacular

Doctor Who Symphonic Spectacular

Patricia Maunder 6 Feb 2012

MELBOURNE SYMPHONY ORCHESTRA: This local version of the BBC's Doctor Who Proms is a treat for Doctor Who fans, but not as much for classical music fans.

Yes, Prime Minister

Yes, Prime Minister

Rebecca Butterworth 6 Feb 2012

COMEDY THEATRE, MELBOURNE: It was always going to be difficult to live up to the beloved TV shows, but Yes, Prime Minister the stage show is still entertaining.

The Burlesque Garden

The Burlesque Garden

Angela Perry 6 Feb 2012

FRINGE WORLD: A tantalising mix of circus, music, dance, cabaret and burlesque combine in the Burlesque Garden.

The New Conway Explosion

The New Conway Explosion

Nerida Dickinson 6 Feb 2012

FRINGE WORLD: John Conway demonstrates the power of madcap positivity to generate further antics in his high energy Fringe World comedy mishmash.

The Jinglists

The Jinglists

Matt D’Silva 4 Feb 2012

BONDI PAVILION: A quirky, slapstick comedy in the manner of Month Python, The Jinglists will make you laugh.

The Day The Sky Turned Black

The Day The Sky Turned Black

Chloe Papas 4 Feb 2012

FRINGE WORLD: Ali Kennedy-Scott's play chronicling the stories of everyday heroes who fought Victoria's ‘Black Saturday’ bushfires takes audiences on unrestrained emotional ride.

Three Strikes

Three Strikes

Astrid Francis 3 Feb 2012

FRINGE WORLD: LA-based writer Brian Finkelstein weaves together tales of the US Writers' Strike of 2007 and Haymarket Massacre of 1886 into an ultimately gratifying whole.

On The Couch with the Freudian Dream Girls

On The Couch with the Freudian Dream Girls

Astrid Francis 3 Feb 2012

FRINGE WORLD: If you want to have a dream interpreted in an unusual context, this is the show for you; if you are looking for something more theatrical, not so much.

The Magic Flute

The Magic Flute

Jennie Sharpe 4 Feb 2012

SYDNEY OPERA HOUSE: The Metropolitan Opera's The Magic Flute, reproduced by Opera Australia, does everything possible to bring it into the 21st century.

Cirque Appetit

Cirque Appetit

Angela Perry 1 Feb 2012

FRINGE WORLD: Cirque Appetit is a collective from Perth’s circus and theatre schools, who used comedy, performance art, circus, dance and physical theatre to delight the audience.

Barry Morgan’s World of Organs

Barry Morgan’s World of Organs

Mariyon Slany 31 Jan 2012

FRINGE WORLD: Good old-fashioned entertainment, Barry Morgan’s World of Organs is an innuendo-filled 1970s spoof on sales pitches, organs, bad polyester suits and organs.

Meow Meow

Meow Meow

Jessica Keath 31 Jan 2012

SYDNEY FESTIVAL: Meow Meow's sold-out festival closing night performance was a rare pleasure and a delight.

Cinderella

Cinderella

Patricia Maunder 30 Jan 2012

VICTORIAN OPERA: Outgoing musical director Richard Gill put on an unexpected yet entirely logical addition to his outstanding legacy with this all-too-short season of Cinderella.

West Side Story

West Side Story

Victor Kline 30 Jan 2012

SYDNEY FESTIVAL: A presentation of the classic West Side Story with music performed live by the Sydney Symphony, this was a fun multi-media night fit to win over the cynics.