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Madame Eva, Kartie, Vrushka and Miss Elsie have rolled their Gypsy caravan into town and want us to feast on their Kunst – so why not, I say. Sexy, kooky and invigorating - like a dip into a freezing Russian lake after a naked sauna session - this is exactly the titillation Melbourne needs to awaken from its winter slumber.
A little late to start, the long audience queue waited with baited breath in the corridor outside the Lithuanian Club Ballroom. Appetites were quickly wetted with an operatic vocal taunt “I don’t think you’re ready…. “ mimed by a demure cabaret-clothed marionette. Then, in the immortal words of bootylicious Beyonce, the marionette continued, “I don’t think you’re ready for this jelly” and the show began.
The enjoyment of Caravan of Love… Pure Kunst hinges on the surprising absurdities dreamt up by the ladies, and their well executed comic interjections. A highlight for me included a trip down memory lane – and be warned of the participatory commitment required of the front row seats – with a choreographed “Pony” skit, Genuwine’s 1996 hit, complete with horse tails and, on the night I happened to attend, an excitable Richard Watts starring as Pony number two.
Each multi-skilled performer offers the audience something unexpected, like the type of surprise you get from cheap, oozing, soft-centered chocolates imported from Eastern Europe. There is the operatic Madame Eva, with a set of lungs no doubt appreciated by neighboring suburbs, and kinky Kartie whose switch (hair piece)and ‘tude (attitude) have come straight out of a Nordic Viking pantomime. Then there are the brunette babes: Vrushka, a prima ballerina who really knows how to stuff a chicken and; Miss Elsie whose pole skills demand a fireman’s attention to extinguish the hot loins of many an audience member.
It was a joy to be part of an engaged and appreciative audience who were feasting on confident sisters who actually were doing ‘it’ for themselves. Too often I sit in an audience where women performers are merely artistic passengers. And although this was my first Caravan ride, it is clear that after four years together, the quartet still gel and Michelle Boyde’s dramaturgy has remained well above the shoddy and clichéd burlesquery.
In show like this it’s hard to know where to look when there is so much for the senses to inhale: panties and ponies and Ken doll phalluses - oh my! Eva Johansen, Kate Sumner, Alice Palermo and Carla Rinaudo offer a brand of Kunst (the German word for ‘art’ no less) that is funny and cheeky. Like playschool for adults, the audience is taken on a journey of learning that is essentially innocent and you feel as though you are in the hands of adults you can trust……
Fringe Hub - The Ballroom, Lithuanian Club
44 Errol St North Melbourne
Transport
Tram: 57, Stop: 12
Melways: 2A J10
Time
10.15pm, Sun 9.15pm (60min)
Tickets
Full Price: $ 18.00
Concession: $ 15.00
Tuesday: $ 12.00
Group: $ 12.00 (per person for 5 people)
MELBOURNE FRINGE FESTIVAL
23 September - 11 October
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Chard Core 22 May 2012
THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.
Aleksia Barron 22 May 2012
FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.
Nerida Dickinson 22 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.
Rebecca Butterworth 22 May 2012
THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.
Richard Watts 22 May 2012
NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.
Suzanne Yanko 21 May 2012
MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.
Nicole Murphy 21 May 2012
STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.
Nerissa Rowan 21 May 2012
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Chloe Papas 21 May 2012
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Melanie Burge 21 May 2012
ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.
Astrid Francis 21 May 2012
DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.
Chloe Papas 21 May 2012
BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.
Flloyd Kennedy 21 May 2012
ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.
Nerida Dickinson 20 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: A stimulating hour of repartee from a rapid-fire raconteur.
Nerida Dickinson 20 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Sweetly told tales of everyday dramas, with attempts to discuss some Important Issues.
Nerida Dickinson 20 May 2012
PERTH INERNATIONAL COMEDY FESTIVAL: A tightly scripted exploration of ideas, navigating deep waters with a most jovial pilot at the helm.