News, analysis and comment - performing arts |
The late night crowd at the Pacific Blue Festival Club is treated to the lush visuals of Between the Devil and the Deep Blue Sea, 1927’s multimedia vaudeville cabaret now playing at the New Zealand International Arts Festival. Performed by a trio of impeccably styled Brits, the world of Between the Devil blends the iconography of silent film with the macabre storytelling of Edward Gorey. It is a live event that incorporates projected animation, live music and brilliantly saucy performances for an evening of wicked fun.
Reminiscent of German expressionists, the precisely timed actors merge with Paul Barritt’s (Animator, Designer and Projectionist) media, often giving the sensation that they have popped right out of the screen from a fantastical world of ghastly images. 1927 takes on suburban housewives, ill-fated pussycats, and ghoulish twin girls, playing each vignette with the reverence of a pretentious art flick before allowing us a wink of reprieve in a coy visual gag or wry joke.
Suzanne Andrade (Writer, Director and Performer) and Esme Appleton (Performer and Costume Designer) beautifully command the stage with their smoky story-telling voices and skilled pantomimes. As the aforementioned twins, they are a spooky duo that reminds us of what goes bump in the night, and give a whole new meaning to the perils of audience participation as one lad discovered after being recruited to play poor ‘Grandmama’.
Incorporating projections into a piece can sometimes result in a fraught time-trial for the actors, yet the interplay between mediums in Between the Devil and the Deep Blue is seamless. With help from prim pianist Lillian Henley, the girls of 1927 weave intricate and witty tales to titillate and terrify.
Unfortunately, the Pacific Blue Club gives the impression that one is at a sporting event with dauntingly large-scale stadium seating spoiling the chance for intimacy. While I did see patrons carrying their glasses to their seats, they were unlikely to actually relax with their drinks while squeezed into a tight fitting hard backed chair. Perhaps next year this after-hours venue will be more appropriately ambient.
The New Zealand International Arts Festival showcases a feast of music, theatre, dance, literature and visual arts as artists from around the globe gather in Wellington from 26 February – 21 March, 2010.
1927’s Between the Devil and the Deep Blue Sea
Pacific Blue Festival Club (Shed 6), New Zealand International Arts Festival
6 – 14 March, 2010
Tickets available by calling 0800 TICKETEK (0800 842 538) or online
Laurel Green is a freelance writer, producer and director whose reviews can be also be found at Australian Stage Online, Stage Whispers, and her own international blog The Dramalogue (www.thedramalogue.wordpress.com). She holds a Masters degree in Drama from the University of Toronto.
E: editor@artshub.comLiza Dezfouli 22 May 2012
THE OWL & THE PUSSYCAT: This one-woman show is a nicely rounded piece of theatre that contrasts modern dating dilemmas with the portrayals of love in the novels of Jane Austen.
Nicole Eckersley 22 May 2012
NEXT WAVE: Daniel Santangeli’s post-apocalyptic museum of civilisation ropes in its audience to create a melancholy, humorous and thoroughly enjoyable live art work.
Lynne Lancaster 22 May 2012
CARRIAGEWORKS: An astonishing piece of physical theatre about the preservation of our fragile planet.
Chard Core 22 May 2012
THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.
Aleksia Barron 22 May 2012
FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.
Nerida Dickinson 22 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.
Rebecca Butterworth 22 May 2012
THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.
Richard Watts 22 May 2012
NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.
Suzanne Yanko 21 May 2012
MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.
Nicole Murphy 21 May 2012
STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: Enter an augmented reality where a series of phone calls to your mobile phone direct your body, gaze, and imagination around Brisbane’s public spaces to unravel the story of a criminal only known as ...
Chloe Papas 21 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Five years of graveyard shifts at Triple J provided this Irish-Australian comedian with a wealth of material for his latest stand-up show.
Melanie Burge 21 May 2012
ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.
Astrid Francis 21 May 2012
DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.
Chloe Papas 21 May 2012
BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.
Flloyd Kennedy 21 May 2012
ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.
Nerida Dickinson 20 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: A stimulating hour of repartee from a rapid-fire raconteur.
Nerida Dickinson 20 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Sweetly told tales of everyday dramas, with attempts to discuss some Important Issues.
Nerida Dickinson 20 May 2012
PERTH INERNATIONAL COMEDY FESTIVAL: A tightly scripted exploration of ideas, navigating deep waters with a most jovial pilot at the helm.