News, analysis and comment - performing arts 

Beautiful Burnout

By Ildiko Susany ArtsHub | Friday, January 20, 2012

Photo: Sydney Festival  

Beautiful Burnout goes to the heart of boxing – the glory, the passion, the power, the hunger, the pain and the pay-off. The production, co-presented by Frantic Assembly and National Theatre of Scotland, is the result of time spent researching boxing gyms around Glasgow and Edinburgh, to discern the “truths” that underlie the “blood sport”.

Following the lives of a group of young wannabe boxers at a local boxing gym in Glasgow, we get to know and understand the drive, dedication and challenges that fledging boxers face in order to achieve their dream. Some make it. Some don’t. Some learn of discipline and respect; others learn life’s lessons the harder way. In the end, we learn what it means to box – to have a dream and to go for it no matter the cost (and sometimes, the cost is dear).

The production harbours a fabulously Scottish flavour and energy, and while a play set within the boxing culture of working class Scotland may not seem appetising for a wide audience, the show is immersive and alluring; universal in its themes and insights, it’s striking for not only those who love and understand boxing but for those who detest it as well.

Set within a boxing ring and sporting an array of television screens as the backdrop, the set twists and turns and unfolds – transforming before your very eyes and churning out surprise after titillating surprise. The dialogue is cheeky, unassuming and revealing, with the gutsy actors matching the exceptional writing with punch and personality. Mixing dramatic performance with rigorous fitness choreography, the actors submit themselves to gruelling and extensive movement sequences, sweating and puffing as the audience sit wide-eyed in their seats, jerking and jolting in sympathetic rhythm. The lighting and sound is integrated perfectly with the production, creating a dynamic, edge-of-your-seat masterpiece that affects the audience to almost dodge the jabs and upper-cuts as the performers do!

Beautiful Burnout is a must-see at this year’s Sydney Festival. It is a funny yet incredibly honest and moving exploration into what is truly at the heart of the boxing culture. You need not be a fan of the sport to love this production! It’s a knockout!

Rating: 5 out of 5 stars

Frantic Assembly and National Theatre of Scotland (UK) present
Beautiful Burnout
Written by Bryony Lavery
Directed and Choreographed by Scott Graham and Steven Hoggett
Music by Underworld
Design: Laura Hopkins
Lighting Design: Andy Purves
Sound Design: Carolyn Downin
Video Design: Ian William Galloway

Cast: Blythe Duff, Kevin Guthrie, Eddie Kay, Vicki Manderson, Stuart Martin, Taqi Nazeer and Ewan Stewart

York Theatre, Seymour Centre
January 18th–29th, 2012
Bookings: www.sydneyfestival.org.au

Ildiko Susany

Ildiko Susany is a Sydney based actor and writer. She graduated with Distinction from a Bachelor of Theatre Arts - Acting degree at the University of Southern Queensland in 2008 and has worked across Australia in both theatre and film. Ildiko's work has been shortlisted in Queensland Theatre Company's Young Playwright's Program and has played at the Brisbane Powerhouse for the 2high Festival. Ildiko is a proud member of MEAA.

E: editor@artshub.com.au

Related news

The Wild Duck

The Wild Duck

Aleksia Barron 23 Feb 2012

MALTHOUSE THEATRE: Under the careful hand of Simon Stone, Henrik Ibsen’s The Wild Duck has undergone a dazzling metamorphosis.

His Ghostly Heart

His Ghostly Heart

Katherine Gale 23 Feb 2012

ADELAIDE FRINGE: An intriguing work that packs a lot into 30 minutes, His Ghostly Heart follows two lovers into the heart of darkness - literally.

Sammy J and Randy and the Inheritance

Sammy J and Randy and the Inheritance

Katherine Gale 23 Feb 2012

ADELAIDE FRINGE: Randy and Sammy J serve up a rollicking good time in this musical adventure.

Tom Thum - Beating The Habit

Tom Thum - Beating The Habit

Cherie Barnett 23 Feb 2012

ADELAIDE FRINGE: Able to pack an entire sound system in his throat and with charisma in spades, Tom Thum’s vocal adventures are a highlight of this year’s Fringe Festival.

Henry V

Henry V

Carol Flavell Neist 22 Feb 2012

PERTH FESTIVAL: A memorable performance, presenting in a new light the old truths so skilfully penned by William Shakespeare.

The Winter’s Tale

The Winter’s Tale

Carol Flavell Neist 22 Feb 2012

PERTH FESTIVAL: Director Edward Hall certainly knows how to put a team together and how to get the best out of every individual. Viva Propeller!

Oráculos

Oráculos

Nerida Dickinson 22 Feb 2012

PERTH FESTIVAL: A journey through your own dreams, and a conversation with the still and silent side of your self, Oráculos is like a Magic 8 Ball writ large.

I Love You, You're Perfect, Now Change

I Love You, You're Perfect, Now Change

Lynne Lancaster 22 Feb 2012

REGALS MUSICAL SOCIETY: This localised version of the famed musical had the audience whooping, hollering and hooting its enormous enjoyment and enthusiastic approval.

The Merchant of Venice

The Merchant of Venice

Jacqui Dent 21 Feb 2012

GENESIAN THEATRE: With a carnival atmosphere, the daring of a far larger theatre company and the talent to pull it off, The Merchant of Venice is well worth your attendance.

An evening with Frank Yamma

An evening with Frank Yamma

Katherine Gale 21 Feb 2012

ADELAIDE FRINGE: Frank Yamma is not very 'showbiz' but it hardly matters. When he starts to sing it is extraordinary.

Elixir (Featuring Katie Noonan)

Elixir (Featuring Katie Noonan)

Bridget Merrett 21 Feb 2012

ADELAIDE FRINGE: From the moment Katie Noonan strolled on stage, it was obvious the audience was in for something special.

Soap – The Show

Soap – The Show

Cherie Barnett 21 Feb 2012

ADELAIDE FRINGE: Soap is a highly entertaining fusion of cabaret, comedy and burlesque that will forever change the way you look at singing in the shower.

Where We Once Belonged

Where We Once Belonged

Inga Read 21 Feb 2012

BRISBANE POWERHOUSE: Where We Once Belonged leaves the audience with some lingering questions about belonging and identity.

Il Divo & Orchestra in Concert

Il Divo & Orchestra in Concert

Tomas Boot 20 Feb 2012

SYDNEY OPERA HOUSE: Despite starting late and running over time, Il Divo put on a fine night’s entertainment.

Babyteeth

Babyteeth

Lynne Lancaster 20 Feb 2012

BELVOIR STREET THEATRE: You will either greatly admire or hate this unsettling, deeply moving work on the fragility of youth, life and death.

Cantina

Cantina

Katherine Gale 20 Feb 2012

ADELAIDE FRINGE: Cantina is an hour-long masterpiece of circus and vaudeville which delivers all the fun of the fair while avoiding all the traps.

Discover Love

Discover Love

Nimal Jayawardhana 20 Feb 2012

BRISBANE POWERHOUSE: Ostensibly about the protagonist's discovery of love, this is a political play with a capital P.

Too Late! (Antigone) Contest #2

Too Late! (Antigone) Contest #2

Colleen Edwards 20 Feb 2012

WORLD THEATRE FESTIVAL: There's no getting around the fact that Too Late! (Antigone) Contest #2 is a challenging, difficult and perhaps alienating piece that isn’t to all tastes.

The Room

The Room

Nerissa Rowan 20 Feb 2012

WORLD THEATRE FESTIVAL: A journey of self discovery, The Room is a commentary on the trials of finding your true path and an exploration of unusual spaces.

This Is It

This Is It

Nerissa Rowan 17 Feb 2012

WORLD THEATRE FESTIVAL: The hesitation is real, the nervous looks are real and the laughter is real in this interactive theatre performance.