News, analysis and comment - performing arts |
With his exhilarating voice and imaginative guitar playing, Frank Yamma delights his audience, despite the odd mumbled word.
Yamma starts his show by walking onto stage without fanfare, nodding matter-of-factly to the audience and perching on a stool. It is not very "showbiz".
Then he starts singing and nobody cares how slick his stagecraft is. He has something better than "showbiz"; he has genuine talent.
His rich, powerful voice resonates in every corner of the room. This otherwise mild-mannered man expresses raw potent emotion when he sings. With each new song he opens a door directly onto sadness, or joy, or love. He plays guitar with the skill and freedom of someone who never believed what he was told about what the instrument couldn't do.
Between songs, Yamma mutters and mumbles to the point of being, occasionally, inaudible. He sometimes takes a long minute to remember what song comes next. While he is still charming and personable, these things do distract from his performance. But whenever the mind starts to wander, or to wonder what time it is, Yamma starts to sing and that is extraordinary.
Rating: 4 out of 5 stars
Wantok Musik present
An evening with Frank Yamma
The Idolize Speigeltent, Rundle Park Adelaide
Saturday 18 February 2012
Katherine Gale is a former student of the Victorian College of the Arts' Music School. Like many VCA graduates, she now works in a totally unrelated field and simply enjoys the arts as an avid attendee.Unlike most VCA graduates, she does this in Adelaide.
E: editor@artshub.com.auAleksia Barron 23 May 2012
LA MAMA: Originally written as a gift for her family, Bethany Simons’ play is a faded portrait of country life told through one woman’s stories of war times, local dances, and homemade sausage rolls.
Nicole Eckersley 23 May 2012
NEXT WAVE: Circus artist Skye Gellman uses an iPhone app to lead an audience through his innovative and thoroughly fun new work.
Sarah Ward 23 May 2012
HUMAN RIGHTS ARTS & FILM FESTIVAL: Tomer Heymann’s documentary is a deeply personal portrait of a family caught between loyalty and personal freedom.
Liza Dezfouli 22 May 2012
THE OWL & THE PUSSYCAT: This one-woman show is a nicely rounded piece of theatre that contrasts modern dating dilemmas with the portrayals of love in the novels of Jane Austen.
Nicole Eckersley 22 May 2012
NEXT WAVE: Daniel Santangeli’s post-apocalyptic museum of civilisation ropes in its audience to create a melancholy, humorous and thoroughly enjoyable live art work.
Lynne Lancaster 22 May 2012
CARRIAGEWORKS: An astonishing piece of physical theatre about the preservation of our fragile planet.
Chard Core 22 May 2012
THE NEW THEATRE: Sydney playwright Melita Rowston takes us on a fast-paced, acerbic Gen X ride that drags the ‘lost child’ of Australian myth into the 21st century.
Aleksia Barron 22 May 2012
FORTYFIVEDOWNSTAIRS: Laurence Strangio’s interpretation of Chekhov aspires to sweeping grandeur but doesn’t quite make the distance, with its mismatched cast and logistical failings taking a toll on the production.
Nerida Dickinson 22 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: All singing, all dancing puppets for grownups fill the stage as well as the heart, with genuine laughs throughout.
Rebecca Butterworth 22 May 2012
THE AUSTRALIAN SHAKESPEARE COMPANY: Directed by Glenn Elston, this new production is set in a filmic style and uses live cameras, visuals and AV.
Richard Watts 22 May 2012
NEXT WAVE: A cross between Wall Street and Lord of the Flies, this intense work explores the consequences of power turned in on itself in an uncivilised world.
Suzanne Yanko 21 May 2012
MELBOURNE RECITAL CENTRE: A memorable concert featuring Australian soprano and rising star, Greta Bradman.
Nicole Murphy 21 May 2012
STREET THEATRE: Created by Canberra producer/choreographer Liz Lea, this dance narrative blends live performance with vintage film footage to elegant effect.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: This violent, gritty and confronting cabaret is thoroughly enjoyable, but not for the faint of heart.
Nerissa Rowan 21 May 2012
ANYWHERE THEATRE FESTIVAL: Enter an augmented reality where a series of phone calls to your mobile phone direct your body, gaze, and imagination around Brisbane’s public spaces to unravel the story of a criminal only known as ...
Chloe Papas 21 May 2012
PERTH INTERNATIONAL COMEDY FESTIVAL: Five years of graveyard shifts at Triple J provided this Irish-Australian comedian with a wealth of material for his latest stand-up show.
Melanie Burge 21 May 2012
ARTS CENTRE MELBOURNE: Ten years after the murder of Matthew Shepard, the Tectonic Theater Project returned to Wyoming to explore the aftermath of his brutal death.
Astrid Francis 21 May 2012
DECKCHAIR THEATRE: Ursula Yovich stars in this one-woman show about the forgotten women in fairytales; the neglected figures of mythology and folklore whose voices have been lost until now.
Chloe Papas 21 May 2012
BLUE ROOM THEATRE: A satirical comedy about two people who meet and discover that neither of them can lie – and then proceed to fall in love.
Flloyd Kennedy 21 May 2012
ANYWHERE THEATRE FESTIVAL: This year's festival extended its reach well beyond Brisbane to France, and youthful company La Petite Famille, thanks to live streaming.