News, analysis and comment - performing arts 

Adelaide Fringe Festival: Awkward

By glen r johns ArtsHub | Friday, March 20, 2009

Zack Adams in 'Awkward' at Adelaide Fringe Festival  

I gotta admit, I really did not want to go out last night, suffering as I was, with “End-of-fringe-itis.” Instead, I was happily snuggled up in bed wearing the new silk PJs mummy had given me for her birthday, reading my latest vampire romance novel*, & weeping my wee eyes out cos Stella had just realised that CC as well as being a vamp, was a complete bastard, & had to stake him even though she was carrying his— …Hmmm, did I type that out loud.

{Cricket chirps ... Silence ... More crickets}

Ooops!

Awkward.

Thankfully Perth comedian, Zack Adams is worth getting out of bed for. He’s even worth the 27 & a half flights of stairs you have to climb to get to the cozy rooftop venue, The Tuxedo Cat in the heart of Adelaide – Rundle Street.

The show begins with a fast song telling us about himself, the show, & then it ends abruptly. Quick cuts & clunky segues are an endearing signature of Adams’ style.

The first third of the show is a series of stories or songs or song-stories (for he sings parts, then talks for a bit, or sings then intercuts his own lyrics with clever/quirky/just plain weird asides to the audience … or silence … or a look) all of which detail awkward moments in Adams’ life. My only criticism is that in this first third, the balance between songs & talking doesn’t quite gel. It feels a bit too much i.e., not enough tunes. But it is a minor note. There’s the Sony Walkman for Xmas saga; the erotic thoughts on shop front mannequins confessional; & the Year 2 Nativity Play trauma.

However, these are mere entrees to the goodies that will come. Very funny, very tasty entrees – oh but what treats await.

[DISCLAIMER: the song names which follow are what I’ve dubbed them based on darkness-scrawled notes & may not be the actual song titles]

His Lovesong Zack Adams Style & very wrong paean to his ex-girlfriend who Kinda Looks A Lot Like You are both painfully funny. There’s a great joke where the punch line is “permed orangutan” which is barfingly good.

Great comic songs keep coming. The surreal Awkward Silence Solo (isn’t it technically a duo since it’s between Zack & us – the audience?). The Song of Outrageous Fact is a riot (anyone who can get racist flamingoes, Mr T & the etymology of the phrase “so hungry I could eat a horse” in the same song deserves – Big Thing status (see below). Robot Onstage. Short. Surreal. Brilliant. Graveyard of Forgotten Jokes. “Your groans only make me stronger” he taunts us. We like it.

Adams’ musicianship is solid, his voice versatile & powerful. At times I found myself even comparing it to Mick Thomas from top ozrock band, Weddings, Parties, Anything. But without doubt it is the quirkiness & cleverness of his ideas that truly wins the day. The dark, disturbing, weird, fun & clever song lyrics are the solar plexus of his act.

In his penultimate song, entitled The Next Big Thing, Zack pines for the fact that he’s not as famous as he should be. Well. He deserves to be. And if he does hit pay-dirt this year, I’ll be able to say I was there – for the last few minutes of his 10-years-in-the-making-“Overnight-Success”.

Finally, Comedy Lullaby. This is a ‘song’ accompanied by the most delicate dark disturbed black bleak beautiful & tender cartoons you are ever likely to see. It is a sublime ending to a thoroughly rewarding night. When I looked around briefly, well over half the audience were out of their seats, leaning forward, eager to read the next one. Admittedly the screen was kinda small, but people were craning more out of delight than short sightedness. Trust me.

His infectious (in a good way) friendly persona left the audience feeling warm, full & fuzzy – like we’d just eaten a big home cooked meal & were now sitting in front of a winter fire. Or like when you finish Stakeout & you read that Stella discovers Roy the impotent garlic farmer has been in love with her all along & really wants kids – yay! I finished the book when I got home!

{Crickets}

Um, pretend I didn’t mention that, won’t you. Please?

*[No, not Twiligh. Now that really would have been awkward.]

Awkward
Zack Adams
Adelaide Fringe Festival
The Tuxedo Cat
March 10-22

glen r johns

glen r is currently the General Manger of Cirkidz Inc, Adelaide's premier youth circus. He also is a writer, director & film maker. He was Creative Director of Southern Youth Theatre Ensemble for 5 years (2004-08). In that time he wrote & directed many productions & smaller outcomes for the company; ran hundreds of workshops (both onsite & for community partners); taught comedy, physical theatre, scriptwriting, film-making & stilt-walking among other skills; & made countless bad jokes.

E: editor@artshub.com.au

Related news

Morning of the Earth

Morning of the Earth

Tomas Boot 7 Feb 2012

SYDNEY OPERA HOUSE: This 40th anniversary screening of the iconic surf flick, accompanied by live music, proved that it's still as relevant today as it was back then.

Here, In the Sugarcane

Here, In the Sugarcane

Siobhan Argent 6 Feb 2012

STUDIO 246, BRUNSWICK: While showcasing the promising and consistent offerings at Studio 246, Here, In the Sugarcane could perhaps do with a tweak.

Doctor Who Symphonic Spectacular

Doctor Who Symphonic Spectacular

Patricia Maunder 6 Feb 2012

MELBOURNE SYMPHONY ORCHESTRA: This local version of the BBC's Doctor Who Proms is a treat for Doctor Who fans, but not as much for classical music fans.

Yes, Prime Minister

Yes, Prime Minister

Rebecca Butterworth 6 Feb 2012

COMEDY THEATRE, MELBOURNE: It was always going to be difficult to live up to the beloved TV shows, but Yes, Prime Minister the stage show is still entertaining.

The Burlesque Garden

The Burlesque Garden

Angela Perry 6 Feb 2012

FRINGE WORLD: A tantalising mix of circus, music, dance, cabaret and burlesque combine in the Burlesque Garden.

The New Conway Explosion

The New Conway Explosion

Nerida Dickinson 6 Feb 2012

FRINGE WORLD: John Conway demonstrates the power of madcap positivity to generate further antics in his high energy Fringe World comedy mishmash.

The Jinglists

The Jinglists

Matt D’Silva 4 Feb 2012

BONDI PAVILION: A quirky, slapstick comedy in the manner of Month Python, The Jinglists will make you laugh.

The Day The Sky Turned Black

The Day The Sky Turned Black

Chloe Papas 4 Feb 2012

FRINGE WORLD: Ali Kennedy-Scott's play chronicling the stories of everyday heroes who fought Victoria's ‘Black Saturday’ bushfires takes audiences on unrestrained emotional ride.

Three Strikes

Three Strikes

Astrid Francis 3 Feb 2012

FRINGE WORLD: LA-based writer Brian Finkelstein weaves together tales of the US Writers' Strike of 2007 and Haymarket Massacre of 1886 into an ultimately gratifying whole.

On The Couch with the Freudian Dream Girls

On The Couch with the Freudian Dream Girls

Astrid Francis 3 Feb 2012

FRINGE WORLD: If you want to have a dream interpreted in an unusual context, this is the show for you; if you are looking for something more theatrical, not so much.

The Magic Flute

The Magic Flute

Jennie Sharpe 4 Feb 2012

SYDNEY OPERA HOUSE: The Metropolitan Opera's The Magic Flute, reproduced by Opera Australia, does everything possible to bring it into the 21st century.

Cirque Appetit

Cirque Appetit

Angela Perry 1 Feb 2012

FRINGE WORLD: Cirque Appetit is a collective from Perth’s circus and theatre schools, who used comedy, performance art, circus, dance and physical theatre to delight the audience.

Barry Morgan’s World of Organs

Barry Morgan’s World of Organs

Mariyon Slany 31 Jan 2012

FRINGE WORLD: Good old-fashioned entertainment, Barry Morgan’s World of Organs is an innuendo-filled 1970s spoof on sales pitches, organs, bad polyester suits and organs.

Meow Meow

Meow Meow

Jessica Keath 31 Jan 2012

SYDNEY FESTIVAL: Meow Meow's sold-out festival closing night performance was a rare pleasure and a delight.

Cinderella

Cinderella

Patricia Maunder 30 Jan 2012

VICTORIAN OPERA: Outgoing musical director Richard Gill put on an unexpected yet entirely logical addition to his outstanding legacy with this all-too-short season of Cinderella.

West Side Story

West Side Story

Victor Kline 30 Jan 2012

SYDNEY FESTIVAL: A presentation of the classic West Side Story with music performed live by the Sydney Symphony, this was a fun multi-media night fit to win over the cynics.

Bye Bye World

Bye Bye World

Astrid Francis 30 Jan 2012

FRINGE WORLD: Winner of last year's Best of Amsterdam Fringe, Bye Bye World is a beautifully crafted tale of the desire to reject one’s accumulated existence.

Thyestes

Thyestes

Marcus Costello 28 Jan 2012

COMPANY BELVOIR/CARRIAGEWORKS: A radical modernising of Seneca’s play, this production of Thyestes is harrowing but quite brilliant.

Zoo Twilight Series – James Morrison

Zoo Twilight Series – James Morrison

Suzanne Yanko 28 Jan 2012

MELBOURNE ZOO: The second in the Zoo’s 2012 Twilight Series had something for everyone, and left the mixed audience applauding and wishing there was more.

Ordinary Days

Ordinary Days

Gareth Beal 28 Jan 2012

DARLINGHURST THEATRE: A musical rom-com with an excellent cast, Ordinary Days boasts a strong narrative structure, but also leans towards sentimentality.